LEADER 03626 am 22006253u 450 001 9910219862103321 005 20230809225539.0 010 $a1-78694-080-9 035 $a(CKB)3800000000216159 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/31631 035 $a(EXLCZ)993800000000216159 100 $a20171016d2017uuuu uy| 0 101 0 $aeng 135 $aurm|#---u|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aIn the balance$b[electronic resource] $eindigeneity, performance, globalization /$fedited by Helen Gilbert, J.D. Phillipson, Michelle H. Raheja 210 $aLiverpool$cLiverpool University Press$d2017 210 1$aLiverpool, England :$cLiverpool University Press,$d2017. 210 4$dİ2017 215 $a1 online resource (vi, 310 pages) $cillustrations (black & white); digital, PDF file(s) 311 $a1-78694-034-5 320 $aIncludes bibliographical references. 330 3 $aIndigenous arts, simultaneously attuned to local voices and global cultural flows, have often been the vanguard in communicating what is at stake in the interactions, contradictions, disjunctions, opportunities, exclusions, injustices and aspirations that globalization entails. Focusing specifically on embodied arts and activism, this interdisciplinary volume offers vital new perspectives on the power and precariousness of indigeneity as a politicized cultural force in our unevenly connected world. Twenty-three distinct voices speak to the growing visibility of indigenous peoples? performance on a global scale over recent decades, drawing specific examples from the Americas, Australia, the Pacific, Scandinavia and South Africa. An ethical touchstone in some arenas and a thorny complication in others, indigeneity is now belatedly recognised as mattering in global debates about natural resources, heritage, governance, belonging and social justice, to name just some of the contentious issues that continue to stall the unfinished business of decolonization. To explore this critical terrain, the essays and images gathered here range in subject from independent film, musical production, endurance art and the performative turn in exhibition and repatriation practices to the appropriation of hip-hop, karaoke and reality TV. Collectively, they urge a fresh look at mechanisms of postcolonial entanglement in the early 21st century as well as the particular rights and insights afforded by indigeneity in that process. 606 $aIndigenous peoples$xSocial life and customs 606 $aIndigenous peoples$xPolitics and government 606 $aPerformance art$xPolitical aspects 610 $aglobalization 610 $apostcolonial arts 610 $acontemporary 610 $aactivism 610 $amodern 610 $apostcolonial 610 $aglobal 610 $atrans-indigenous 610 $aindigeneity 610 $aindigenous arts 610 $aperformance 610 $aIndigenous peoples 615 0$aIndigenous peoples$xSocial life and customs. 615 0$aIndigenous peoples$xPolitics and government. 615 0$aPerformance art$xPolitical aspects. 676 $a892.409678 700 $aH. Raheja$b Michelle$4edt$01376133 702 $aJ. Phillipson$b D$4edt 702 $aGilbert$b Helen$4edt 702 $aH. Raheja$b Michelle$4oth 702 $aJ. Phillipson$b D$4oth 702 $aGilbert$b Helen$4oth 801 2$bUkMaJRU 906 $aBOOK 912 $a9910219862103321 996 $aIn the balance$93411460 997 $aUNINA