LEADER 06002oam 2201069 c 450 001 9910213857303321 005 20260102090118.0 010 $a9783839415962 010 $a3839415969 024 7 $a10.14361/transcript.9783839415962 035 $a(CKB)2550000001338260 035 $a(EBL)1914829 035 $a(OCoLC)900417396 035 $a(SSID)ssj0001345213 035 $a(PQKBManifestationID)11705276 035 $a(PQKBTitleCode)TC0001345213 035 $a(PQKBWorkID)11329407 035 $a(PQKB)10899161 035 $a(MiAaPQ)EBC1914829 035 $a(DE-B1597)395686 035 $a(OCoLC)979816694 035 $a(DE-B1597)9783839415962 035 $a(MiAaPQ)EBC5494380 035 $a(MiAaPQ)EBC6695199 035 $a(Au-PeEL)EBL5494380 035 $a(OCoLC)1049913458 035 $a(Au-PeEL)EBL6695199 035 $a(ScCtBLL)0bdecf28-1a68-4c14-aa79-ca8ce356d330 035 $a(transcript Verlag)9783839415962 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/39686 035 $a(Perlego)1530930 035 $a(oapen)doab39686 035 $a(EXLCZ)992550000001338260 100 $a20260102h20142011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aEmerging Bodies$eThe Performance of Worldmaking in Dance and Choreography$fGabriele Klein, Sandra Noeth 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2014 210 $d2014, c2011 215 $a1 online resource (265 p.) 225 0 $aTanzScripte 300 $aDescription based upon print version of record. 311 08$a9783837615968 311 08$a3837615960 311 08$a9781322002958 311 08$a1322002959 320 $aIncludes bibliographical references. 327 $a1 Contents 5 Introduction 7 Dancing Politics: Worldmaking in Dance and Choreography 17 Between Intervention and Utopia: Dance Politics 29 Dance and Work: The Aesthetic and Political Potential of Dance 47 The Collective That Isn't One 61 Je?ro?me Bel and Myself: Gender and Intercultural Collaboration 73 Transnationalism and Contemporary African Dance: Faustin Linyekula 83 Flee(t)ing Dances! Initiatives for the Preservation and Communication of Intangible World Heritage in Museums 93 The Bluff of Contemporary Dance 107 Transcription - Materiality - Signature. Dancing and Writing between Resistance and Excess 119 Autobiography and the Coulisses: Narrator, Dancer, Spectator 137 Dance Images. Dance Films as an Example of the Representation and Production of Movement 149 Against the Beat. Music, Dance and the Image in Michelangelo Antonioni's Blow-Up 163 Gesture Capture: Paradigms in Interactive Music/ Dance Systems 183 Tables of Weights and Measures: Architecture and the Synchronous Objects Project 195 Synchronous Objects, Choreographic Objects, and the Translation of Dancing Ideas 207 Communicating, Distilling, Catalyzing. On the Creation of Dance Congress Worlds 225 Situational Worlds. Complicity as a Model of Collaboration 235 Protocols of Encounter: On Dance Dramaturgy 247 Notes on Contributors 257 264 330 $aThe concept of »worldmaking« is based on the idea that ?the world? is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing ?dance worlds?: through artistic practice, discourse and media, choreographic form and dance material.The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral ? an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal »world of dance«, but rather a multitude of interrelated dance worlds with more emerging every day. 330 1 $a»Auf wissenschaftlich anspruchsvollem Niveau wird [mit diesem Buch] die Annahme begründet, dass Tanz seine Wirksamkeit nicht in der Repräsentation existierender Strukturen und Systeme entfaltet, sondern gerade durch das Anbieten von Alternativen ? von Utopien, entwickelt mit der Hilfe des Körpers und durch die Organisation der Bewegung.« 330 1 $a»Die beiden Herausgeberinnen bieten [...] einen umfassenden Einblick in praktische Positionen und theoretische Diskurse der internationalen Tanz- und Performancekunst.« 330 1 $aReviewed in:http://danse.revues.org, 17.12.2014, Valeria De Luca 410 0$aTanzScripte ;$vBd. 21. 410 0$aCritical dance studies. 517 2 $aKlein/Noeth (eds.), Emerging Bodies$eThe Performance of Worldmaking in Dance and Choreography 606 $aDance 606 $aChoreography 606 $aMedia 606 $aPsychoanalysis 606 $aGender 606 $aInterculturalitity 606 $aImagination 606 $aBody 606 $aArts 606 $aCultural Theory 606 $aTheatre Studies 615 4$aDance 615 4$aChoreography 615 4$aMedia 615 4$aPsychoanalysis 615 4$aGender 615 4$aInterculturalitity 615 4$aImagination 615 4$aBody 615 4$aArts 615 4$aCultural Theory 615 4$aTheatre Studies 676 $a792.62 702 $aKlein$b Gabriele$p

Gabriele Klein, Universiteit van Amsterdam, Niederlande

$4edt 702 $aNoeth$b Sandra$p

Sandra Noeth, Hochschulübergreifendes Zentrum Tanz Berlin (HZT), Deutschland

$4edt 712 02$aKnowledge Unlatched - KU Select 2016: Backlist Collection$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910213857303321 996 $aEmerging Bodies$92271395 997 $aUNINA