LEADER 04135 am 22006493u 450 001 9910213848403321 005 20230621135341.0 010 $a1-78374-321-2 010 $a2-8218-9730-8 010 $a1-78374-320-4 035 $a(CKB)3780000000450765 035 $a(MiAaPQ)EBC4901459 035 $a(FrMaCLE)OB-obp-4192 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/59065 035 $a(PPN)224385887 035 $a(EXLCZ)993780000000450765 100 $a20200114d2017 uy 0 101 0 $aeng 135 $aurcn#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aSearching for sharing $eheritage and multimedia in Africa /$fedited by Daniela Merolla and Mark Turin 210 $cOpen Book Publishers 210 1$aCambridge, UK :$cOpen Book Publishers,$d2017. 210 4$aŠ2017 215 $a1 online resource (149 pages) $cillustrations, digital file(s) 311 $a1-78374-319-0 311 $a1-78374-318-2 327 $tIntroduction /$rDaniela Merolla --$g1.$tThe Mara cultural heritage digital library : the implications of the digital return of oral tradition /$rJan Bender Shetler --$g2.$tTechnauriture as a platform to create an inclusive environment for the sharing of research /$rRussell H. Kaschula --$g3.$tFrom restitution to redistribution of ewe heritage : challenges and prospects /$rKofi Dorvlo --$g4.$tYouTube in academic teaching : a multimedia documentation of Siramori Diabate?'s Song "Nanyuman" /$rBrahima Camara, Graeme Counsel and Jan Jansen --$g5.$tNew electronic resources for texts in Manding languages /$rValentin Vydrin --$g6.$tQuestioning "restitution" : oral literature in Madagascar /$rBrigitte Rasoloniaina and Andriamanivohasina Rakotomalala --$tAfterword : Sharing located /$rMark Turin. 330 $aIn a world where new technologies are being developed at a dizzying pace, how can we best approach oral genres that represent heritage? Taking an innovative and interdisciplinary approach, this volume explores the idea of sharing as a model to construct and disseminate the knowledge of literary heritage with the people who are represented by and in it. Expert contributors interweave sociological analysis with an appraisal of the transformative impact of technology on literary and cultural production. Does technology restrict, constraining the experience of an oral performance, or does it afford new openings for different aesthetic experiences? Topics explored include the Mara Cultural Heritage Digital Library, the preservation of Ewe heritage material, new eresources for texts in Manding languages, and the possibilities of technauriture. This timely and necessary collection also examines to what extent digital documents can be and have been institutionalised in archives and museums, how digital heritage can remain free from co-option by hegemonic groups, and the roles that exist for community voices. A valuable contributi on to a fast-developing field, this book is required reading for scholars and students in the fields of heritage, anthropology, linguistics, history and the emerging disciplines of multi-media documentation and analysis, as well as those working in the field of literature, folklore, and African studies. It is also important reading for museum and archive curators. 606 $aOral tradition$zAfrica 606 $aFolk literature, African 610 $alinguistic 610 $aanthropology 610 $amultimedia 610 $aOral literature 610 $aAfrica 610 $ahistory 610 $atechnology 610 $asharing 610 $adigital heritage 610 $aliterary heritage 615 0$aOral tradition 615 0$aFolk literature, African. 676 $a398.096 700 $aMark Turin$4auth$0802050 702 $aMerolla$b Daniela$f1960- 702 $aTurin$b Mark 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 801 2$bUkMaJRU 906 $aBOOK 912 $a9910213848403321 996 $aSearching for sharing$93360101 997 $aUNINA