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200 1 $aDiamerisma Okto$epoiemata$fNikou S. Spanou
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200 10$aSaying And Silence$fFrank Farmer
210  1$aLogan :$cUtah State University Press,$d2001.
210  4$dİ2001.
215   $a1 online resource (185 p.)
300   $aDescription based upon print version of record.
311 08$a9780874214147 
311 08$a0874214149 
320   $aIncludes bibliographical references (p. [159]-167) and index.
327   $aCONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; 1 "NOT THEORY . . . BUT A SENSE OF THEORY" The Superaddressee and the Contexts of Eden; 2 AESOPIAN PREDICAMENTS , or BITING MY TONGUE A S I WRITE: A Defense of Rhetorical Ambiguity; 3 VOICE REPRISED Three Etudes for a Dialogic Understanding; 4 SOUNDING THE OTHER WHO SPEAKS IN ME Toward a Dialogic Understanding of Imitation; 5 PICTURES AT AN EXHIBITION Bakhtin, Composition, and the Problem of the Outside; 6 DIALOGUE AND CRITIQUE Bakhtin and the Cultural Studies Writing Classroom; ENDNOTES; WORKS CITED; INDEX; ABOUT THE AUTHOR
330   $aIn composition studies for the last two or three decades, Bakhtin has been especially influential through his theories of language, dialogue, and genre. His work is required reading in upper division and graduate rhetoric courses and is included in the recent major surveys if rhetoric.Frank Farmer has contributed important essays to the study of Bakhtin in composition, and in Saying and Silence he gathers some of those, along with several new essays, into a single volume. Scholars who specialize in Bakhtin will find this work engaging, but equally Farmer wants to explicate
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