LEADER 04514 am 22005653u 450 001 9910208951803321 005 20221206103330.0 010 $a1-78374-155-4 010 $a2-8218-8172-X 010 $a1-78374-154-6 035 $a(CKB)3710000000478225 035 $a(MiAaPQ)EBC4386695 035 $a(WaSeSS)IndRDA00056449 035 $a(FrMaCLE)OB-obp-1852 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/54130 035 $a(PPN)202672484 035 $a(EXLCZ)993710000000478225 100 $a20160315d2015 uy| 0 101 0 $aeng 135 $aurc|#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA musicology of performance $etheory and method based on Bach's solos for violin /$fDorottya Fabian 210 $cOpen Book Publishers 210 1$aCambridge :$cOpen Book Publishers,$d2015. 215 $a1 online resource (339 pages) $cillustrations, music; digital, PDF file(s) 300 $aIncludes access to audio files. 300 $aThis is a revision of a book file Version 1.1. : Version 1.2. Minor edits made, June 2016. 311 08$aPrint version: 9781783741533 320 $aIncludes bibliographical references and index. 327 $aDancing to Architecture?. 1.1. The Problems of Researching and Writing about Music Performance -- 1.2. Summary: Recordings, Aims and Method -- 2. Theoretical Matters. 2.1. Cultural Theories -- 2.2. Analytical Theories -- 2.3. Music Performance and Complex Systems -- 2.4. Performance Studies, Oral Culture and Academia -- 2.5. Conclusion -- 3. Violinists, Violin Schools and Emerging Trends -- 3.1. Violinists -- 3.2. Violin Schools -- 3.3. The Influence of HIP on MSP -- 3.4. Diversity within Trends and Global Styles -- 3.5. Overall Findings and Individual Cases -- 3.6. Conclusion -- 4. Analyses of Performance Features. 4.1. Tempo Choices -- 4.2. Vibrato -- 4.3. Ornamentation -- 4.4. Rhythm -- 4.5. Bowing, Articulation and Phrasing -- 4.6. Conclusions -- 5. Affect and Individual Difference: Towards a Holistic Account of Performance. 5.1. Differences within the MSP and within the HIP Styles -- 5.2. Multiple Recordings of Violinists -- 5.3. The Holistic Analysis of Interpretations -- 5.4. Idiosyncratic Versions and Listeners' Reactions -- 5.5. Conclusions -- 6. Conclusions and an Epilogue: The Complexity Model of Music Performance, Deleuze and Brain Laterality. 6.1. Summary -- 6.2. Where to from Here? -- Epilogue -- List of Audio Examples -- List of Tables -- List of Figures -- Discography -- References -- Index. 330 $aThis book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach?s Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach?s opus. 606 $aMusic$xPerformance 606 $aViolin$xPerformance 610 $amusic 610 $amusicology 615 0$aMusic$xPerformance. 615 0$aViolin$xPerformance. 676 $a780.92 700 $aFabian$b Dorottya$0927180 712 02$aOpen Book Publishers. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 801 2$bUkMaJRU 906 $aBOOK 912 $a9910208951803321 996 $aA musicology of performance$92083230 997 $aUNINA