LEADER 01059nam0-2200349---450 
001 990008746020403321
005 20190503092848.0
010   $a0-521-31134-9
035   $a000874602
035   $aFED01000874602
035   $a(Aleph)000874602FED01
035   $a000874602
100   $a20081103d1993----km-y0itay50------ba
101 0 $aeng
102   $aUS
105   $aa-------001yy
200 1 $aSoil chemistry and its applications$fMalcolm Cresser & Ken Killham, Tony Edwards
210   $aNew York$cCambridge university press$dc1993
215   $aXI, 192 p.$cill.$d24 cm
225 1 $aCambridge environmental chemistry series$v5
610 0 $aChimica agraria
676   $a631.41$v20$zita
700  1$aCresser,$bMalcolm$015330
701  1$aKillham,$bKen$0310867
701  1$aEdwards,$bAnthony$f<1958->$0310868
801  0$aIT$bUNINA$gRICA$2UNIMARC
901   $aBK
912   $a990008746020403321
952   $a60 631.41 CREM 1993$b11481$fFAGBC
959   $aFAGBC
996   $aSoil chemistry and its applications$9719611
997   $aUNINA

LEADER 03246nam  22008294a 450 
001 9910172224803321
005 20080401102445.0
010   $a9786613064745
010   $a9780822385103
010   $a0822385104
010   $a9781283064743
010   $a128306474X
024 7 $a10.1515/9780822385103
035   $a(CKB)1000000000294617
035   $a(EBL)1167864
035   $a(SSID)ssj0000390964
035   $a(PQKBManifestationID)12169928
035   $a(PQKBTitleCode)TC0000390964
035   $a(PQKBWorkID)10451458
035   $a(PQKB)10567991
035   $a(OCoLC)213455232
035   $a(MiAaPQ)EBC1167864
035   $a(OCoLC)1140944249
035   $a(MdBmJHUP)muse79599
035   $a213455232
035   $a(DE-B1597)552191
035   $a(DE-B1597)9780822385103
035   $a(OCoLC)1055303768
035   $a(Perlego)1466870
035   $a(EXLCZ)991000000000294617
100   $a20080318d2003      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aAppropriating Blackness $eperformance and the politics of authenticity /$fE. Patrick Johnson
210   $aDurham [N.C.] $cDuke University Press$d2003
215   $a1 online resource (383 p.)
300   $aDescription based upon print version of record.
311 08$a9780822331544 
311 08$a0822331543 
311 08$a9780822331919 
311 08$a0822331918 
320   $aIncludes bibliographical references (p. [345]-359) and index.
327   $a"Blackness" and authenticity : what's performance got to do with it? -- The pot is brewing : Marlon Riggs' Black is ... Black ain't -- Manifest faggotry : queering masculinity in African American culture -- Mother knows best : Blackness and transgressive domestic space -- "Nevah had uh cross word" : mammy and the trope of Black womanhood -- Sounds of Blackness down under : the Cafe of the Gate of  Salvation -- Performance and/as pedagogy : performing Blackness in the classroom.
330   $aA consideration of the performance of Blackness and race in general, in relation to sexuality and critiques of authenticity.
410  0$ae-Duke books scholarly collection.
606   $aAfrican Americans$xRace identity
606   $aAfrican Americans$xIntellectual life
606   $aAfrican Americans in popular culture
606   $aAuthenticity (Philosophy)$xPolitical aspects$zUnited States
606   $aPerforming arts$xSocial aspects$zUnited States
606   $aPerforming arts$xPolitical aspects$zUnited States
607   $aUnited States$xRace relations
615  0$aAfrican Americans$xRace identity.
615  0$aAfrican Americans$xIntellectual life.
615  0$aAfrican Americans in popular culture.
615  0$aAuthenticity (Philosophy)$xPolitical aspects
615  0$aPerforming arts$xSocial aspects
615  0$aPerforming arts$xPolitical aspects
676   $a305.896/073
676   $a305.896073
686   $aLB 42610$2rvk
700   $aJohnson$b E. Patrick$f1967-$0984113
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910172224803321
996   $aAppropriating Blackness$92247604
997   $aUNINA