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035   $a(OCoLC-P)999615407
035   $a(FlBoTFG)9781315084244
035   $a(OCoLC)52181018
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100   $a19941114d1995      uy         0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt
182   $cc
183   $acr
200 00$aVisual culture /$fedited by Chris Jenks
210   $aNew York $cRoutledge$d1995
215   $a1 online resource (282 p.)
300   $aOriginally published in print: 1995.
311   $a0-415-10623-0 
311   $a0-415-10622-2 
320   $aIncludes bibliographical references and index.
327   $aBook Cover; Title; Contents; List of figures; List of contributors; Acknowledgements; THE CENTRALITY OF THE EYE IN WESTERN CULTURE: AN INTRODUCTION; ADVERTISING: THE RHETORICAL IMPERATIVE; REPORTING AND VISUALISING; FRACTURED SUBJECTIVITY; THE CITY, THE CINEMA: MODERN SPACES; FABULOUS CONFUSION! POP BEFORE POP?; AN ART OF SCHOLARS: CORRUPTION, NEGATION AND PARTICULARITY IN PAINTINGS BY RYMAN AND RICHTER; WATCHING YOUR STEP: THE HISTORY AND PRACTICE OF THE FLNEUR; REICH DREAMS: RITUAL HORROR AND ARMOURED BODIES; TELEVISION: NOT SO MUCH A VISUAL MEDIUM, MORE A VISIBLE OBJECT
327   $aFOUCAULT'S OPTICS: THE (IN) VISION OF MORTALITY AND MODERNITYMANAGING 'TRADITION': THE PLIGHT OF AESTHETIC PRACTICES AND THEIR ANALYSIS IN A TECHNOSCIENTIFIC CULTURE; PHOTOGRAPHY AND MODERN VISION: THE SPECTACLE OF 'NATURAL MAGIC'; THREE IMAGES OF THE VISUAL: EMPIRICAL, FORMAL AND NORMATIVE; Index
330   $aThis collection of original and exciting essays explores the 'visual' character of contemporary culture. Examining film, painting, propaganda, photography and television, this is an indispensible guide to this field.
606   $aArts, Modern$y20th century
606   $aArts and society
606   $aPopular culture
606   $aVisual communication
615  0$aArts, Modern
615  0$aArts and society.
615  0$aPopular culture.
615  0$aVisual communication.
676   $a700/.1/03
701   $aJenks$b Chris$0508936
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910172221703321
996   $aVisual culture$94195409
997   $aUNINA