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100   $a19971219d1998      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aProsthetic culture $ephotography, memory and identity /$fCelia Lury
210   $aLondon ;$aNew York $cRoutledge$d1998
215   $a1 online resource (255 p.)
225 1 $aInternational Library of Sociology
300   $aDescription based upon print version of record.
311 08$a0-415-10294-4 
311 08$a0-415-10293-6 
320   $aIncludes bibliographical references (p. [228]-238) and index.
327   $aCover; PROSTHETIC CULTURE; Title Page; Copyright Page; Table of Contents; List of figures; Acknowledgements; 1 IDENTITY AND PROSTHETIC CULTURE; 2 THE EXPERlMENTAL INDIVIDUAL; 3 THE FAMILY OF MAN; 4 BECOME WHAT YOU ARE; 5 REMEMBER ME; 6 SEEING YOU, SEEING ME, SEEING PHOTOGRAPHICALLY; 7 MOVEMENT AND THE BODY OF PHOTOGRAPHY; 8 HUMANS, NON-HUMANS AND HEROES; 9 THE ETHICS OF SEEING PHOTOGRAPHICALLY; Bibliography; Index
330   $aIn a fascinating account of how technology is altering our consciousness, Celia Lury shows how the manipulation of photographic images and ways of seeing can so redefine the relation between consciousness, the body and memory as to create a 'prosthetic culture' whose capacities both extend and threaten our humanity.We live in a society in which some memories can be falsely implanted in the individual while others are stored in video archives of images, in which the powers of cartoon superheroes break through the limitations of time and space. Using the examples of photo-therapy, family alb
410  0$aInternational Library of Sociology
517 3 $aPhotography, memory and identity
606   $aPhotography$xPhilosophy
606   $aImages, Photographic
606   $aSelf (Philosophy)
615  0$aPhotography$xPhilosophy.
615  0$aImages, Photographic.
615  0$aSelf (Philosophy)
676   $a306
700   $aLury$b Celia$0319326
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910170998403321
996   $aProsthetic culture$92190126
997   $aUNINA