LEADER 03787nam 2200661Ia 450 001 9910790102403321 005 20220831174320.0 010 $a0-8214-4411-5 035 $a(CKB)2670000000187176 035 $a(EBL)1743716 035 $a(OCoLC)787846309 035 $a(SSID)ssj0000652685 035 $a(PQKBManifestationID)11404575 035 $a(PQKBTitleCode)TC0000652685 035 $a(PQKBWorkID)10655505 035 $a(PQKB)11185101 035 $a(MiAaPQ)EBC1743716 035 $a(MdBmJHUP)muse17785 035 $a(Au-PeEL)EBL1743716 035 $a(CaPaEBR)ebr10539259 035 $a(EXLCZ)992670000000187176 100 $a20111003d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aIndigenous knowledge and the environment in Africa and North America$b[electronic resource] /$fedited by David M. Gordon and Shepard Krech III 210 $aAthens, OH $cOhio University Press$dc2012 215 $a1 online resource (345 p.) 225 1 $aOhio University Press Series in Ecology and History 300 $aDescription based upon print version of record. 311 $a0-8214-2079-8 311 $a0-8214-1996-X 320 $aIncludes bibliographical references and index. 327 $aAcknowledgments; Introcution: Indigenous Knowledge and the Environment; Part I: Middle Ground; Chapter 1: Looking Like a White Man; Chapter 2: On Biomedicine, Transfers of Knowledge, and MalariaTreatments in Eastern North America and Tropical Africa; Chapter 3: Indigenous Ethnoornithology in the American South; Chapter 4: Nation-Building Knowledge; Part II: Conflict; Chapter 5: Locust Invasions and Tensions over Environmental and Bodily Health in the Colonial Transkei; Chapter 6: Navajos, New Dealers, and the Metaphysics of Nature; Chapter 7: Cherokee Medicine and the 1824 Smallpox Epidemic 327 $aPart III: Environmental ReligionChapter 8: Spirit of the Salmon; Chapter 9: Indigenous Spirits; Chapter 10: Recruiting Nature; Part IV: Resource Rights; Chapter 11: Marine Tenure of the Makahs; Chapter 12: Reinventing "Traditional" Medicine in Postapartheid South Africa; Chapter 13: Dilemmas of "Indigenous Tenure" in South Africa; Selected Bibliography; Contributors; Index 330 $aIndigenous knowledge has become a catchphrase in global struggles for environmental justice. Yet indigenous knowledges are often viewed, incorrectly, as pure and primordial cultural artifacts. This collection draws from African and North American cases to argue that the forms of knowledge identified as "indigenous" resulted from strategies to control environmental resources during and after colonial encounters. At times indigenous knowledges represented a "middle ground" of intellectual exchanges between colonizers and colonized; elsewhere, indigenous knowledges were defined through conflic 410 0$aOhio University Press series in ecology and history. 606 $aIndigenous peoples$xEcology$zAfrica 606 $aTraditional ecological knowledge$zAfrica 606 $aIndigenous peoples$xEcology$zNorth America 606 $aTraditional ecological knowledge$zNorth America 615 0$aIndigenous peoples$xEcology 615 0$aTraditional ecological knowledge 615 0$aIndigenous peoples$xEcology 615 0$aTraditional ecological knowledge 676 $a304.2096 701 $aGordon$b David M.$f1970-$01150288 701 $aKrech$b Shepard$cIII,$f1944-$01480875 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790102403321 996 $aIndigenous knowledge and the environment in Africa and North America$93697682 997 $aUNINA 999 $p$45.48$u10/04/2018$5Soc LEADER 05255oam 2201117 c 450 001 9910166056703321 005 20260102090118.0 010 $a9783839431726 010 $a3839431727 024 7 $a10.14361/9783839431726 035 $a(CKB)3710000000495262 035 $a(SSID)ssj0001681664 035 $a(PQKBManifestationID)16506558 035 $a(PQKBTitleCode)TC0001681664 035 $a(PQKBWorkID)15028547 035 $a(PQKB)10550010 035 $a(DE-B1597)453197 035 $a(OCoLC)979837475 035 $a(OCoLC)980195851 035 $a(DE-B1597)9783839431726 035 $a(MiAaPQ)EBC4940462 035 $a(Au-PeEL)EBL4940462 035 $a(CaPaEBR)ebr11427260 035 $a(OCoLC)1001999121 035 $a(MiAaPQ)EBC6865318 035 $a(Au-PeEL)EBL6865318 035 $a(transcript Verlag)9783839431726 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/33910 035 $a(ScCtBLL)71673f24-27b7-4e20-bb8e-75a8530cb455 035 $a(Perlego)1461752 035 $a(oapen)doab33910 035 $a(EXLCZ)993710000000495262 100 $a20260102d2015 uy 0 101 0 $ager 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a»Deeply Superficial«$eAndy Warhols Amerika-Images der 1950er und 1960er als Kulturkritik$fMélanie-Chantal Deiss 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2015 215 $a1 online resource 225 0 $aImage 300 $aIn place of the entanglement of person and work that so strongly marks the artistic work of Andy Warhol, and settles it in the usual Pop Art context, Mèlanie-Chantal Deiss locates it within the cultural context of America's post-war period. Viewed from this perspective, Warhol's work - which tends to be classified as superficial and ahistorical ? exhibits unexpectedly serious engagements with concerns of the 1950s and 1960s. Throughout his image series, expressive, somewhat ambivalent narrative strands from America's post-war period unfurl, which transmit a concrete image, as a kind of written historical document. Warhol's visualized narration ultimately culminates in a cultural critique, which treats America not just as a stage of images, but also as site of contemplation of a cultural imaginary, in which art can critically and productively intervene. 311 08$aPrint version: 9783837631722 327 $aFrontmatter 1 Inhalt 5 Vorwort 7 Warhol made in USA 9 Amusement 57 Think Prosperity, Have Prosperity 133 Bold and Beautiful 187 TROUmatic 247 USA made by Warhol 295 Bibliografie und Abbildungsverzeichnis 317 Backmatter 329 330 $aAnstatt die Verschränkung von Person und Werk, welche konsequent die künstlerische Arbeit von Andy Warhol prägt, im gängigen Kontext der Pop Art anzusiedeln, verortet Mélanie-Chantal Deiss sie im kulturellen Zusammenhang der Nachkriegszeit in Amerika. In Warhols Werk, das tendenziell als oberflächlich und ahistorisch eingestuft wird, zeichnen sich in dieser Perspektive unerwartet ernste Anliegen der 1950er und 1960er ab. Entlang von Warhols Bild-Serien entfalten sich aussagekräftige, teils ambivalente Erzählstränge zur Nachkriegszeit Amerikas, die ein konkreteres Bild als schriftliche Zeitdokumente vermitteln.Warhols visualisierte Narration kulminiert schließlich in einer Kulturkritik, die Amerika nicht nur als Schauplatz der Bilder behandelt, sondern auch als Ort des Nachdenkens, des kulturellen Imaginären, an welchem die Kunst kritisch produktiv interveniert. 410 0$aImage 517 2 $aDeiss, »Deeply Superficial«$eAndy Warhols Amerika-Images der 1950er und 1960er als Kulturkritik 606 $aAndy Warhol 606 $aPop Art 606 $aAmerica 606 $aAmerika 606 $aNachkriegszeit 606 $aPost-war 606 $aKunst 606 $aArt 606 $aKulturgeschichte 606 $aCultural History 606 $aAmerikanische Kunst 606 $aAmerican Art 606 $aAmerikanistik 606 $aAmerican Studies 606 $aBildwissenschaft 606 $aVisual Studies 606 $aKunstwissenschaft 606 $aFine Arts 615 4$aAndy Warhol 615 4$aPop Art 615 4$aAmerica 615 4$aAmerika 615 4$aNachkriegszeit 615 4$aPost-war 615 4$aKunst 615 4$aArt 615 4$aKulturgeschichte 615 4$aCultural History 615 4$aAmerikanische Kunst 615 4$aAmerican Art 615 4$aAmerikanistik 615 4$aAmerican Studies 615 4$aBildwissenschaft 615 4$aVisual Studies 615 4$aKunstwissenschaft 615 4$aFine Arts 676 $a700 686 $aLI 95130$2rvk 700 $aDeiss$b Mélanie-Chantal$p

Mélanie-Chantal Deiss, Universität Zürich, Schweiz

$4aut$01887621 712 02$aSwiss National Science Foundation (SNSF)$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 801 2$bUkMaJRU 906 $aBOOK 912 $a9910166056703321 996 $a»Deeply Superficial«$94524901 997 $aUNINA