LEADER 02715nam 22004573 450 001 9910165092703321 005 20230220084621.0 010 $a1-78543-516-7 035 $a(CKB)3710000001065348 035 $a(MiAaPQ)EBC7197368 035 $a(Au-PeEL)EBL7197368 035 $a(BIP)067019141 035 $a(OCoLC)1370498436 035 $a(EXLCZ)993710000001065348 100 $a20230220d2015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aParis and the Parisians in 1835 - Volume II $eVolume II 210 1$aLondon :$cCopyright Group,$d2015. 210 4$dİ2015. 215 $a1 online resource (143 pages) 330 8 $aFrances Milton Trollope was born on March 10th, 1779 at Stapleton in Bristol. The mother of the world famed Anthony Trollope, and his brother Thomas Adolphus Trollope, she was a late entrant to the ranks of authors being fifty when she embarked upon this new career, and even then more by necessity for income than by design. Her first book, in 1832, Domestic Manners of the Americans, gained her immediate notice. Although it was a one sided view of the failings of Americans, it was also witty and acerbic. But much of the attention she received was for her strong novels of social protest. Jonathan Jefferson Whitlaw, published in 1836, was the first anti-slavery novel, and was a great influence on the American writer Harriet Beecher Stowe and her more famous Uncle Tom's Cabin in 1852. Michael Armstrong: Factory Boy began publication in 1840 and was the first industrial novel to be published in Britain. These were followed by three volumes of The Vicar of Wrexhill, which examined the corruption in the Church of England and evangelical circles. However her greatest work is more often considered to be the Widow Barnaby trilogy (published between 1839-1843). In later years Frances Milton Trollope continued to write novels and books on wide, varied and miscellaneous subjects, writing in all in excess of a quite incredible 100 volumes. Frances Milton Trollope died on October 6th, 1863. 517 $aParis and the Parisians in 1835 - Volume II 606 $aManners and customs 606 $aTravel 606 $aTrollope, Frances Milton, 1780-1863 615 0$aManners and customs. 615 0$aTravel. 615 0$aTrollope, Frances Milton, 1780-1863. 676 $a914.43600000000004 700 $aTrollope$b Frances Milton$0742741 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910165092703321 996 $aParis and the Parisians in 1835 - Volume II$93009424 997 $aUNINA LEADER 03096nam 22005655 450 001 9910863161903321 005 20240509001345.0 010 $a9783030570460 010 $a3030570460 024 7 $a10.1007/978-3-030-57046-0 035 $a(CKB)4100000011585995 035 $a(MiAaPQ)EBC6404820 035 $a(DE-He213)978-3-030-57046-0 035 $a(Perlego)3482016 035 $a(EXLCZ)994100000011585995 100 $a20201121d2020 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDesert Islands and the Liquid Modern /$fby Barney Samson 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Pivot,$d2020. 215 $a1 online resource (X, 139 p. 23 illus., 18 illus. in color.) 300 $aIncludes index. 311 08$a9783030570453 311 08$a3030570452 327 $aIntroduction: What is a desert island? -- 1. Wartime and rationing: desert island escapes and escapades -- 2. After the war: rebuilding society on the desert island -- 3. A decade of decadence: consuming (on) the desert island -- 4. Failing fantasies: The desert island at the turn of the twentieth century -- 5. Swept away: twenty-first century fluid identities and dissolving desert islands -- Afterword. 330 $aThis book investigates desert islands in postwar anglophone popular culture, exploring representations in radio, print and screen advertising, magazine cartoons, television comedy and drama, cinema, and video games. Drawing on Zygmunt Bauman's theory of liquid modernity, desert island texts are analysed in terms of their intersections with repressive and seductive mechanisms of power. Chapters focus on the desert island as: a conflictingly in/coherent space that characterises identity as deferred and structured by choice; a location whose 'remoteness' undermines satirical critiques of communal identity formation; a site whose ambivalent relationship with 'home' and Otherness destabilises patriarchal 'Western' subjectivity; a space bound up with mobility and instantaneity; and an expression of radical individuality and underdetermined identity. The desert island in popular culture is shown to reflect, endorse and critique a profoundly consumerist society that seduces us with promises ofcoherence, with the threat of repression looming if we do not conform. 606 $aPopular culture 606 $aMotion pictures 606 $aTelevision broadcasting 606 $aPopular Culture 606 $aFilm and Television Studies 615 0$aPopular culture. 615 0$aMotion pictures. 615 0$aTelevision broadcasting. 615 14$aPopular Culture. 615 24$aFilm and Television Studies. 676 $a306.4 676 $a306.4 700 $aSamson$b Barney$01228311 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910863161903321 996 $aDesert islands and the liquid modern$92851606 997 $aUNINA LEADER 01415nam0 22003251i 450 001 UON00062256 005 20231205102312.652 010 $a09-00-02509-3 100 $a20020107d1974 |0itac50 ba 101 $aeng 102 $aGB 105 $a||||p ||||| 200 1 $aWar-lords$fSima Qian$gtranslated with twelve other stories from historical records by William Dolby and John Scott 210 $aEdinburgh$cSothside$d1974 215 $a168 p.$d22 cm 606 $aCINA$xSTORIA$xDINASTIA HAN (202 a.C.- 220 d.C.)$xFONTI$3UONC004847$2FI 620 $aGB$dEdinburgh$3UONL003034 686 $aCIN IV AA$cCina - Storia antica fine guerra dell'oppio (1839) - Fonti$2A 700 0$aSima Qian (ca. 145-ca. 86 a.C.$3UONV016477$0638066 712 $aSouthside$3UONV255927$4650 790 0$aSSU-MA Chien$zSima Qian (ca. 145-ca. 86 a.C.$3UONV016476 790 0$aSZUMA Chien$zSima Qian (ca. 145-ca. 86 a.C.$3UONV034220 790 0$aSE-MA Tcheng$zSima Qian (ca. 145-ca. 86 a.C.$3UONV097775 790 0$aSE MA T'sien$zSima Qian (ca. 145-ca. 86 a.C.$3UONV290084 801 $aIT$bSOL$c20250711$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00062256 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI CIN IV AA 133 N $eSI SA 96065 5 133 N 996 $aWar-lords$91172852 997 $aUNIOR