LEADER 03801nam 2200589 450 001 9910165029703321 005 20231124102735.0 010 $a1-118-62114-X 010 $a1-118-62111-5 010 $a1-118-62109-3 035 $a(CKB)4330000000006621 035 $a(MiAaPQ)EBC4816348 035 $a(DLC) 2017000756 035 $a(Au-PeEL)EBL4816348 035 $a(CaPaEBR)ebr11357093 035 $a(CaONFJC)MIL992637 035 $a(OCoLC)968151937 035 $a(EXLCZ)994330000000006621 100 $a20170315h20172017 uy 1 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aReading the eighteenth-century novel /$fDavid H. Richter 205 $aFirst edition. 210 1$aHoboken, New Jersey :$cWiley Blackwell,$d2017. 210 4$dİ2017 215 $a1 online resource (239 pages) 225 1 $aReading the Novel 225 1 $aTHEi Wiley ebooks 311 $a1-118-62113-1 311 $a1-118-62110-7 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note: Acknowledgments viii 1 The World That Made the Novel 1 2 Oroonoko (1688) 34 3 Moll Flanders (1722) 51 4 Pamela, or Virtue Rewarded (1740) 66 5 The History of Tom Jones, A Foundling (1749) 81 6 The Life and Opinions of Tristram Shandy, Gent. (1759-1767) 100 7 Evelina: The History of a Young Lady's Entrance into the World (1778) 117 8 The Mysteries of Udolpho (1794) 131 9 Things As They Are, or The Adventures of Caleb Williams (1794) 151 10 Waverley, or 'Tis Sixty Years Since (1814) 171 11 Emma (1815) 189 12 The World the Novel Made 213 Selected Further Reading 226 Index 000. 330 $a"This book about reading the English novel during the "long eighteenth century," a stretch of time that, in the generally accepted ways of breaking up British literary history into discrete periods for university courses, begins some time after the Restoration of King Charles II in 1660 and ends around 1830, before the reign of Queen Victoria. At the beginning of this period, the novel can hardly be said to exist, and writing prose fiction is a mildly disreputable literary activity. Around 1720, Daniel Defoe's fictional autobiographies spark continuations and imitations, and in the 1740s, with Samuel Richardson and Henry Fielding's novels begin what is perceived as "a new kind of writing." By the end of the period, with Jane Austen and Walter Scott, the novel has not only come into existence, it has developed into a more-or-less respectable genre, and in fact publishers have begun to issue series of novels (edited by Walter Scott and by Anna Barbauld, among others) that establish for that time, if not necessarily for ours, a canon of the English novel. With the decline of the English drama and the almost complete eclipse of the epic, the novel has become by default the serious literary long form, on its way to becoming by the mid-nineteenth century, with Dickens, Thackeray, and Eliot, the pre-eminent genre of literature. This chapter will consider how and why the novel came to be when it did"-- Provided by publisher. 410 0$aReading the novel. 410 0$aTHEi Wiley ebooks. 606 $aEnglish fiction$y18th century$xHistory and criticism 606 $aBooks and reading$zGreat Britain$xHistory$y18th century 615 0$aEnglish fiction$xHistory and criticism. 615 0$aBooks and reading$xHistory 676 $a823/.509 686 $aLIT000000$2bisacsh 700 $aRichter$b David H.$f1945-$0711040 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910165029703321 996 $aReading the eighteenth-century novel$91978375 997 $aUNINA