LEADER 01029nam2-2200385---450- 001 990002901130203316 005 20070412110618.0 010 $a972-23-2345-8 035 $a000290113 035 $aUSA01000290113 035 $a(ALEPH)000290113USA01 035 $a000290113 100 $a20070412d1998----km-y0itay50------ba 101 $apor 102 $aPT 105 $a||||||||001yy 200 1 $aA Margem da Alegria$fRuy Belo$gintroduçao de Fernando Guimaraes 205 $a4. ed 210 $aLisboa$cEditorial Presença$d1998 215 $a91 p.$d21 cm 410 0$12001 454 1$12001 461 1$1001000283262$12001 600 1$aBelo,$bRuy$xOpera 676 $a869.142 700 1$aBELO,$bRuy$0592842 702 1$aGUIMARAES,$bFernando 801 0$aIT$bsalbc$gISBD 912 $a990002901130203316 951 $aVI.6.A. 44/ 7$b191188 L.M.$cVI.6$d00128607 959 $aBK 969 $aUMA 979 $aVITALE$b90$c20070412$lUSA01$h1106 996 $aA Margem da Alegria$9989169 997 $aUNISA LEADER 03808nam 22008415 450 001 9910164954803321 005 20191022022751.0 010 $a9780226414065 010 $a022641406X 024 7 $a10.7208/9780226414232 035 $a(CKB)3710000001063990 035 $a(MiAaPQ)EBC4805184 035 $a(StDuBDS)EDZ0001660435 035 $a(DE-B1597)524051 035 $a(OCoLC)972734320 035 $a(DE-B1597)9780226414232 035 $a(Perlego)1852675 035 $a(EXLCZ)993710000001063990 100 $a20191022d2017 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe Bond of the Furthest Apart $eEssays on Tolstoy, Dostoevsky, Bresson, and Kafka /$fSharon Cameron 210 1$aChicago : $cUniversity of Chicago Press, $d[2017] 210 4$d©2017 215 $a1 online resource (279 pages) $cillustrations 300 $aPreviously issued in print: 2017. 311 08$a9780226413907 311 08$a022641390X 311 08$a9780226414232 311 08$a022641423X 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAbbreviations -- $tIntroduction -- $t1. Animal Sentience: Robert Bresson's Au hasard Balthazar -- $t2. "Outside Christ": Dostoevsky's Joy -- $t3. The Sight of Death in Tolstoy -- $t4. Robert Bresson's Pathos -- $t5. Kafka's No-Hope Spaces -- $tAcknowledgments -- $tNotes -- $tIndex 330 $aIn the French filmmaker Robert Bresson's cinematography, the linkage of fragmented, dissimilar images challenges our assumption that we know either what things are in themselves or the infinite ways in which they are entangled. The "bond" of Sharon Cameron's title refers to the astonishing connections found both within Bresson's films and across literary works by Tolstoy, Dostoevsky, and Kafka, whose visionary rethinkings of experience are akin to Bresson's in their resistance to all forms of abstraction and classification that segregate aspects of reality. Whether exploring Bresson's efforts to reassess the limits of human reason and will, Dostoevsky's subversions of Christian conventions, Tolstoy's incompatible beliefs about death, or Kafka's focus on creatures neither human nor animal, Cameron illuminates how the repeated juxtaposition of disparate, even antithetical, phenomena carves out new approaches to defining the essence of being, one where the very nature of fixed categories is brought into question. An innovative look at a classic French auteur and three giants of European literature, The Bond of the Furthest Apart will interest scholars of literature, film, ethics, aesthetics, and anyone drawn to an experimental venture in critical thought. 606 $aBresson 606 $aDostoevsky 606 $aKafka 606 $aTolstoy 606 $aaesthetic 606 $acategorical 606 $acounterpoint 606 $aethical 606 $aontology 606 $aLITERARY CRITICISM / General$2bisacsh 610 $aBresson. 610 $aDostoevsky. 610 $aKafka. 610 $aTolstoy. 610 $aaesthetic. 610 $acategorical. 610 $acounterpoint. 610 $aethical. 610 $aontology. 615 4$aBresson. 615 4$aDostoevsky. 615 4$aKafka. 615 4$aTolstoy. 615 4$aaesthetic. 615 4$acategorical. 615 4$acounterpoint. 615 4$aethical. 615 4$aontology. 615 7$aLITERARY CRITICISM / General. 676 $a809 700 $aCameron$b Sharon, $0700507 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910164954803321 996 $aThe Bond of the Furthest Apart$92088670 997 $aUNINA