LEADER 02240nam 2200565 450 001 9910822070203321 005 20230807221313.0 010 $a3-8382-6796-6 035 $a(CKB)3710000000457369 035 $a(EBL)4333707 035 $a(MiAaPQ)EBC4333707 035 $a(MiAaPQ)EBC5782852 035 $a(EXLCZ)993710000000457369 100 $a20160531h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe dark side of European integration $esocial foundations and cultural determinants of the rise of radical right movements in contemporary Europe /$fAlina Polyakova 210 1$aStuttgart, Germany :$cibidem-Verlag,$d2015. 210 4$dİ2015 215 $a1 online resource (183 p.) 225 1 $aExplorations of the Far Right,$x2192-7448 ;$vVolume 4 300 $aDescription based upon print version of record. 311 $a3-8382-0796-3 311 $a3-8382-0766-1 320 $aIncludes bibliographical references and index. 327 $aRadical right parties in Western and Eastern Europe -- How right-wing mobilization works on the ground -- Reimagining political parties and social movements. 330 $aBased on detailed analysis of the electoral rise of radical right parties, argues that the rising nationalism and the mobilization of the radical right in contemporary Europe are the result of European economic integration, which has produced a cultural backlash. 410 0$aExplorations of the far right ;$vVolume 4. 606 $aRight-wing extremists$zEurope, Eastern 606 $aRight-wing extremists$zEurope, Western 606 $aNationalism$zEurope, Eastern 606 $aNationalism$zEurope, Western 607 $aEurope, Eastern$2fast 607 $aEurope, Western$2fast 615 0$aRight-wing extremists 615 0$aRight-wing extremists 615 0$aNationalism 615 0$aNationalism 676 $a320.530947 700 $aPolyakova$b Alina$01686265 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910822070203321 996 $aThe dark side of European integration$94058980 997 $aUNINA LEADER 03659nam 22005892 450 001 9910164058603321 005 20230621141504.0 010 $a1-78138-596-3 010 $a1-78138-729-X 035 $a(CKB)3710000000340260 035 $a(StDuBDS)EDZ0000982857 035 $a(UkCbUP)CR9781781385968 035 $a(OCoLC)900208002 035 $a(MdBmJHUP)muse82841 035 $a(Au-PeEL)EBL4792827 035 $a(CaPaEBR)ebr11333998 035 $a(CaONFJC)MIL990008 035 $a(ScCtBLL)920ce27f-a770-4dcf-b110-b9b271c9feff 035 $a(Au-PeEL)EBL6898683 035 $a(MiAaPQ)EBC4792827 035 $a(MiAaPQ)EBC6898683 035 $a(PPN)266626629 035 $a(EXLCZ)993710000000340260 100 $a20170307d2014|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBorrowed forms $ethe music and ethics of transnational fiction /$fKathryn Lachman$b[electronic resource] 210 1$aLiverpool :$cLiverpool University Press,$d2014. 215 $a1 online resource (viii, 206 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 07 Jul 2017). 311 $a1-78138-030-9 320 $aIncludes bibliographical references (pages 175-206) and index. 330 $aBorrowed Forms examines the use of music by contemporary novelists and critics from across the Francophone, Anglophone, and Hispanophone worlds. Through readings of Nancy Huston, Maryse Conde?, J. M. Coetzee, Assia Djebar, Julio Corta?zar, and other late twentieth-century novelists, the book shows how writers deploy musical strategies to expand the possibilities of the novel in response to the demands of transnational citizenship. The book transcends disciplinary boundaries, to reveal the entanglement of musical and narrative forms in ethical, historical, and political questions.Critics from Mikhail Bakhtin to Edward Said established musical forms as an indispensable framework for understanding the novel. This study argues that the turn to music in late twentieth century fiction is linked to new questions of authority and representation, as writers seek to democratize the novel, to bring marginalized voices into fiction, to articulate increasingly hybrid subjectivities, and to negotiate the conflicting histories of the diverse groups that make up today's multicultural societies. The book traces the influence of four musical concepts on theory and the contemporary novel: polyphony, or the art of combining multiple, equal voices; counterpoint, the carefully regulated setting of one voice against another; variations, the virtuosic exploration of a given theme; and opera, the dramatic setting of a story to a musical score. Borrowed Forms is both a vital reference for all those seeking to understand the influence of music on 20th-century literary theory, and a rigorous and interdisciplinary framework for considering the transnational novel. 606 $aFiction$y20th century$xHistory and criticism$xTheory, etc 606 $aMusic and literature$xHistory$y20th century 606 $aLiterature and transnationalism 606 $aMusic and transnationalism 615 0$aFiction$xHistory and criticism$xTheory, etc. 615 0$aMusic and literature$xHistory 615 0$aLiterature and transnationalism. 615 0$aMusic and transnationalism. 676 $a809.304 700 $aLachman$b Kathryn$0886691 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910164058603321 996 $aBorrowed forms$91980082 997 $aUNINA