LEADER 04262nam 2200661 450 001 9910163942303321 005 20210106113355.0 010 $a0-226-17994-X 024 7 $a10.7208/9780226179940 035 $a(CKB)3710000001021977 035 $a(MiAaPQ)EBC4780601 035 $a(DE-B1597)550233 035 $a(DE-B1597)9780226179940 035 $a(OCoLC)968733943 035 $a(EXLCZ)993710000001021977 100 $a20170120h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe art of creative research $ea field guide for writers /$fPhilip Gerard 210 1$aChicago, [Illinois] ;$aLondon, [England] :$cUniversity of Chicago Press,$d2017. 210 4$dİ2017 215 $a1 online resource (235 pages) 225 1 $aChicago Guides to Writing, Editing, and Publishing 300 $aIncludes index. 311 $a0-226-17980-X 311 $a0-226-17977-X 327 $tFrontmatter -- $tContents -- $tPrologue: On fire for research (an homage to Larry brown) -- $t1. What creative research is and how to use it -- $t2. Preparing a research plan -- $t3. The tools of the trade -- $t4. Archives: what they are, where they are, and how to best use them -- $t5. It must be true ? i saw it on the internet -- $t6. The archives of memory, imagination, and personal expertise -- $t7. The warm art of the interview -- $t8. Walking the ground and handling the thing itself -- $t9. Troubleshooting, fact - checking, and emotional cost -- $t10. Breathing life into facts and data on the page -- $tAfterword -- $tAcknowledgments -- $tSelected sources for quotations and concepts addressed in this book -- $tIndex 330 $aAll writers conduct research. For some this means poring over records and combing, archives but for many creative writers research happens in the everyday world?when they scribble an observation on the subway, when they travel to get the feel for a city, or when they strike up a conversation with an interesting stranger. The Art of Creative Research helps writers take this natural inclination to explore and observe and turn it into a workable?and enjoyable?research plan. It shows that research shouldn?t be seen as a dry, plodding aspect of writing. Instead, it?s an art that all writers can master, one that unearths surprises and fuels imagination. This lends authenticity to fiction and poetry as well as nonfiction. Philip Gerard distills the process into fundamental questions: How do you conduct research? And what can you do with the information you gather? He covers both in-person research and work in archives and illustrates how the different types of research can be incorporated into stories, poems, and essays using examples from a wide range of writers in addition to those from his own projects. Throughout, Gerard brings knowledge from his seasoned background into play, drawing on his experiences as a reporter and a writer of both fiction and nonfiction. His enthusiasm for adventure is infectious and will inspire writers to step away from the keyboard and into the world. ?Research can take you to that golden intersection where the personal meets the public, the private crosses the universal, where the best literature lives,? Gerard writes. With his masterly guidance, anyone can become an expert in artful investigation. 410 0$aChicago guides to writing, editing, and publishing. 606 $aAuthorship 606 $aResearch 606 $aCreative writing 610 $aaccess to sources. 610 $aarchives. 610 $aemotional risk. 610 $aethics of reporting. 610 $aimagination. 610 $ainterviewing. 610 $anarrative intelligence. 610 $aprimary sources. 610 $aresearch plan. 610 $athe actuality. 610 $athe zone of noise. 615 0$aAuthorship. 615 0$aResearch. 615 0$aCreative writing. 676 $a808.02 700 $aGerard$b Philip$0899175 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910163942303321 996 $aThe art of creative research$92008857 997 $aUNINA