LEADER 00948nam0-22003491i-450- 001 990007938850403321 005 20041027145323.0 010 $a88-464-4017-x 035 $a000793885 035 $aFED01000793885 035 $a(Aleph)000793885FED01 035 $a000793885 100 $a20041027d2002----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $a--------001cy 200 1 $aInterni familiari$erelazioni e legami d'amore$fGiuliana Chiaretti 210 $aMilano$cFrancoAngeli$d©2002 215 $a182 p.$d22 cm 225 1 $aGRIFF$v33 320 $aContiene bibl. (pp. 169-182) 610 0 $aFamiglia 610 0 $aRelazioni interfamiliari 676 $a306.87$v21$zita 700 1$aChiaretti,$bGiuliana$044567 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007938850403321 952 $a306.87 CHI 1$b1592$fBFS 959 $aBFS 996 $aInterni familiari$9749194 997 $aUNINA LEADER 00933nam0-2200289---450- 001 990009554300403321 005 20120404120332.0 035 $a000955430 035 $aFED01000955430 035 $a(Aleph)000955430FED01 035 $a000955430 100 $a20120404d1977----km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $aCase e botteghe a Napoli nei secoli 17. e 18.$fEnnio De Simone 210 $aGenève$cLibraire Droz$d1977 215 $aP. 77-140, [1] c. di tav.$d25 cm 300 $aEstratto da: Revue Internationale d'Histoire de la Banque, n. 12 - 1976 610 0 $aNapoli$aSec. 17.-19.$aDescrizioni e viaggi 700 1$aDe Simone,$bEnnio$f<1943- >$068078 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990009554300403321 952 $aSEZ.NA B 2990$b18949$fFARBC 959 $aFARBC 996 $aCase e botteghe a Napoli nei secoli 17. e 18$9853959 997 $aUNINA LEADER 04800oam 2200613I 450 001 9910163937503321 005 20241217115458.0 010 $a9781351697576 010 $a1351697579 010 $a9781315172347 010 $a1315172348 010 $a9781351697583 010 $a1351697587 024 7 $a10.4324/9781315172347 035 $a(CKB)3710000001051296 035 $a(MiAaPQ)EBC4799947 035 $a(OCoLC)971891184 035 $a(BIP)63386556 035 $a(BIP)13976123 035 $a(EXLCZ)993710000001051296 100 $a20180706e20162009 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 04$aThe Ashgate research companion to experimental music /$fedited by James Saunders 210 1$aLondon :$cRoutledge,$d2016. 215 $a1 online resource (413 pages) $cillustrations 225 1 $aAshgate research companion 300 $aFirst published 2009 by Ashgate Publishing. 311 08$a9780754662822 311 08$a0754662829 320 $aIncludes bibliographical references and index. 327 $a1. Why experimental? Why me? / Christopher Fox -- 2. Writing music / Michael Pisaro -- 3. A prescription for action / Philip Thomas -- 4. Open sources : words, circuits, and the notation/realization relation in live electronic music / Ronald Kuivila -- 5. Instrumentalizing : approaches to improvising with sounding objects in experimental music / Andy Keep -- 6. Free improvisation in music and capitalism : resisting authority and the cults of scientism and celebrity / Edwin Prevost -- 7. Beyond the soundscape : art and nature in contemporary phonography / Will Montgomery -- 8. Soundwalking : aural excursions into the everyday / John Levack Drever -- 9. 'We have eyes as well as ears.' : experimental music and the visual arts / David Ryan -- 10. Fourteen musicians / James Saunders -- 11. Antoine Beuger -- 12. Laurence Crane -- 13. Rhodri Davies -- 14. Christopher Fox -- 15. Bernhard Gunter -- 16. Bryn Harrison -- 17. Philip Jeck -- 18. Alvin Lucier -- 19. Phill Niblock -- 20. Evan Parker -- 21. Tim Parkinson -- 22. Jennifer Walshe -- 23. Manfred Werder -- 24. Christian Wolff. 330 $aThe recent resurgence of experimental music has given rise to a more divergent range of practices than has previously been the case. The Ashgate Research Companion to Experimental Music reflects these recent developments by providing examples of current thinking and presenting detailed case studies that document the work of contemporary figures. The book examines fourteen current practitioners by interrogating their artistic practices through annotated interviews, contextualized by nine authored chapters which explore central issues that emerge from and inform these discussions. Whilst focusing on composition, the book also encompasses related aspects of performance, improvisation and sonic art. The interviews all explore how the selected artists work, focusing on the processes involved in developing their recent projects, set against more general aesthetic concerns. They aim to shed light on the disparate nature of current work whilst seeking to find possible points of contact. Many of the practitioners are active in areas that span disciplines, such as composition and improvisation, and the book explores the interaction of these activities in the context of their work. The other chapters consider a range of issues pertinent to recent developments in the genre, including: definitions of experimentalism and its relationship with a broader avant garde; experimentalism and cultural change; notation and its effect on composition; realising open scores; issues of notation and interpretation in live electronic music; performing experimental music; improvisation and technology; improvisation and social meaning; instrumentalizing objects; visual artists' relationships to experimental music; working across interdisciplinary boundaries; listening and the soundscape; working methods, techniques and aesthetics of recent experimental music. 410 0$aAshgate research companion. 517 3 $aResearch companion to experimental music 606 $aMusic$y20th century$xHistory and criticism 606 $aMusic$y21st century$xHistory and criticism 606 $aAvant-garde (Music) 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xHistory and criticism. 615 0$aAvant-garde (Music) 676 $a780.9/04 676 $a780 701 $aSaunders$b James$f1972 December 12-$0987925 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910163937503321 996 $aThe Ashgate research companion to experimental music$92258888 997 $aUNINA