LEADER 02288 am 2200373 n 450 001 9910163537903321 005 20191225 010 $a88-5526-040-5 024 7 $a10.4000/books.ledizioni.7790 035 $a(CKB)3710000001048140 035 $a(FrMaCLE)OB-ledizioni-7790 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/42337 035 $a(PPN)242886434 035 $a(EXLCZ)993710000001048140 100 $a20200115j|||||||| ||| 0 101 0 $aeng 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBodies that bleed $eMetamorphosis in Angela Carter?s Fairy Tales /$fAnna Pasolini 210 $aMilano $cLedizioni$d2019 215 $a137 p 225 1 $aDi/Segni 311 $a88-6705-542-9 330 $aThis work aims to develop new readings of the poetics and the politics of Angela Carter?s The Bloody Chamber and Other Stories (1979) in the light of the bodily metamorphoses represented in the fairy tales. Metamorphic processes can be said to inform the stories of the collection both in a thematic and a stylistic perspective and address the need to rethink human experience altogether, especially as regards heterosexual relationships and power distribution between the sexes. By exhibiting the body and its changes in texts where it is traditionally concealed or treated as a natural essence, Carter foregrounds the powerful potential of metamorphosis ? as a concept, a topic, a structuring and guiding principle, and as a proposed model ? in order to expose and challenge patriarchal myths and discourses, which slow down or even prevent the progressive empowerment of women?s conditions and positions within society (in the Seventies as well as today). Carter?s creativity and commitment are engaged in a productive dialogue with some contemporary feminist philosophers, to show how and why her fairy tales and their transformative potential can be ? once again ? signified anew. 606 $aMetamorphosis in literature 615 0$aMetamorphosis in literature. 700 $aPasolini$b Anna$0896902 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910163537903321 996 $aBodies that bleed$92004009 997 $aUNINA