LEADER 02976nam0 2200613 450 001 000033286 005 20141107110218.0 010 $a0 19 814659 0 100 $a20120905d1977----km-y0itaa50------ba 101 0 $alat 102 $aGB 200 1 $aL. Annaei Senecae Dialogorum libri duodecim$frecognovit brevique adnotatione critica instruxit L. D. Reynolds 210 $aOxonii$ce Typographeo Clarendoniano$d1977 215 $aXX, 327 p.$d19 cm 225 2 $aScriptorum classicorum bibliotheca Oxoniensis 327 1 $aDe providentia ; De constantia sapientis ; De ira ; Consolatio ad Marciam ; De vita beata ; De otio ; De tranquilitate animi ; De brevitate vitae ; Consolatio ad Polybium ; Consolatio ad Helviam matrem 410 0$12001$aScriptorum classicorum bibliotheca Oxoniensis 500 11$aDe providentia / Seneca, Lucius Annaeus$919598 500 11$aDe constantia sapientis / Seneca, Lucius Annaeus$919599 500 11$aDe ira / Seneca, Lucius Annaeus$918231 500 11$aAd Marciam de consolatione / Seneca, Lucius Annaeus$918235 500 11$aDe vita beata / Seneca, Lucius Annaeus$916877 500 11$aDe otio / Seneca, Lucius Annaeus$919601 500 11$aDe tranquillitate animi / Seneca, Lucius Annaeus$918226 500 11$aDe brevitate vitae / Seneca, Lucius Annaeus$913120 500 11$aAd Polybium de consolatione / Seneca, Lucius Annaeus$918236 500 11$aAd Helviam matrem de consolatione / Seneca, Lucius Annaeus$918237 501 1 $aDialogi / Seneca, Lucius Annaeus 676 $a188$v(22. ed.)$9Filosofia stoica 700 1$aSeneca,$bLucius Annaeus$f<5/4 a.C. - 65 d.C.>$07130 702 1$aReynolds,$bLeighton Durham 801 0$aIT$bUniversitą della Basilicata - B.I.A.$gREICAT$2unimarc 912 $a000033286 996 $aDe constantia sapientis$919599 996 $aAd Helviam matrem de consolatione$918237 996 $aDe otio$919601 996 $aAd Polybium de consolatione$918236 996 $aDe brevitate vitae$913120 996 $aAd Marciam de consolatione$918235 996 $aDe ira$918231 996 $aDe tranquillitate animi$918226 996 $aDe Vita Beata$916877 996 $aDe providentia$919598 997 $aUNIBAS CAT $aEXT013$b01$c20120905$lBAS01$h0908 CAT $aEXT013$b01$c20120905$lBAS01$h0909 CAT $aEXT013$b01$c20120906$lBAS01$h0946 CAT $aEXT013$b01$c20120907$lBAS01$h0842 CAT $aEXT013$b01$c20120910$lBAS01$h0910 CAT $aEXT013$b01$c20140610$lBAS01$h1016 CAT $aEXT013$b01$c20141107$lBAS01$h1101 CAT $aEXT013$b01$c20141107$lBAS01$h1102 FMT Z30 -1$lBAS01$LBAS01$mBOOK$1BASA1$APolo Storico-Umanistico$2GEN$BCollezione generale$3FP/CLASSICI 1184$615593$5L15593$820120906$f02$FPrestabile Generale$hDe providentia, De constantia sapientis, De ira, Consolatio ad Marciam, De vita beata, De otio, De tranquilitate animi, De brevitate vitae,Consolatio ad Polybum, Consolatio ad Helviam matrem LEADER 02398nam 22004213 450 001 9910163313803321 005 20230220084621.0 010 $a9781785435942 010 $a1785435949 035 $a(CKB)3710000001046582 035 $a(MiAaPQ)EBC7197450 035 $a(Au-PeEL)EBL7197450 035 $a(NjHacI)993710000001046582 035 $a(OCoLC)1370499589 035 $a(EXLCZ)993710000001046582 100 $a20230220d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAs You Like It $e?All the world's a stage.? 205 $a1st ed. 210 1$aLondon :$cCopyright Group,$d2016. 210 4$d©2016. 215 $a1 online resource (125 pages) 330 $aReaders and audiences have long greeted As You Like It with delight. Its characters are brilliant conversationalists, including the princesses Rosalind and Celia and their Fool, Touchstone. Soon after Rosalind and Orlando meet and fall in love, the princesses and Touchstone go into exile in the Forest of Arden, where they find new conversational partners. Duke Frederick, younger brother to Duke Senior, has overthrown his brother and forced him to live homeless in the forest with his courtiers, including the cynical Jaques. Orlando, whose older brother Oliver plotted his death, has fled there, too. Recent scholars have also grounded the play in the issues of its time. These include primogeniture, passing property from a father to his oldest son. As You Like It depicts intense conflict between brothers, exposing the human suffering that primogeniture entails. Another perspective concerns cross-dressing. Most of Orlando's courtship of Rosalind takes place while Rosalind is disguised as a man, "Ganymede." At her urging, Orlando pretends that Ganymede is his beloved Rosalind. But as the epilogue reveals, the sixteenth-century actor playing Rosalind was male, following the practice of the time. In other words, a boy played a girl playing a boy pretending to be a girl. 606 $aFathers and daughters 615 0$aFathers and daughters. 676 $a306.8742 700 $aShakespeare$b Willam$01276788 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910163313803321 996 $aAs You Like It$93009935 997 $aUNINA