LEADER 00920nam0-22003491i-450- 001 990001488690403321 005 20091203153941.0 010 $a0-596-00008-1 035 $a000148869 035 $aFED01000148869 035 $a(Aleph)000148869FED01 035 $a000148869 100 $a20020114d2001----km-y0itay50------ba 101 0 $aeng 102 $aUS 105 $aa---a---001yy 200 1 $aLinux device drivers$fAlessandro Rubini, Jonathan Corbet 205 $a2nd ed. 210 $aSebastopol [Ca.]$cO'Reilly$dc2001 215 $axix, 564 p.$d24 cm 610 0 $aSistemi operativi 610 0 $aLinux 676 $a005.43 700 1$aRubini,$bAlessandro$066207 701 1$aCorbet,$bJonathan$066208 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001488690403321 952 $a005.43-RUB-1$fSC1 959 $aSC1 996 $aLinux device drivers$9377946 997 $aUNINA LEADER 01513nam 2200469 450 001 9910163292403321 005 20170924231021.0 010 $a1-5040-3750-2 035 $a(CKB)3890000000007441 035 $a(SSID)ssj0001683123 035 $a(PQKBManifestationID)16509081 035 $a(PQKBTitleCode)TC0001683123 035 $a(PQKBWorkID)15037767 035 $a(PQKB)10649656 035 $a(MiAaPQ)EBC4516127 035 $a(EXLCZ)993890000000007441 100 $a20160527h19521952 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe big change $eAmerica transforms itself, 1900-1950 /$fFrederick Lewis Allen 210 1$a[Place of publication not identified] :$c[publisher not identified],$d1952. 210 2$aNew York, New York :$cOpen Road Distribution,$d2016. 210 4$dİ1952 215 $a1 online resource (231 pages) 300 $aBibliographic Level Mode of Issuance: Monograph 607 $aUnited States$xCivilization$y20th century 607 $aUnited States$xEconomic conditions$y1918-1945 607 $aUnited States$xSocial conditions$y1918-1932 607 $aUnited States$xSocial conditions$y1933-1945 608 $aElectronic books. 676 $a973.91 700 $aAllen$b Frederick Lewis$f1890-1954,$0484968 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910163292403321 996 $aThe big change$92589617 997 $aUNINA LEADER 03988nam 2200757 450 001 9910829113603321 005 20230618050518.0 010 $a1-4875-3060-9 010 $a1-4426-9760-1 024 7 $a10.3138/9781442697607 035 $a(CKB)2560000000054420 035 $a(OCoLC)705263685 035 $a(CaPaEBR)ebrary10442589 035 $a(SSID)ssj0000485487 035 $a(PQKBManifestationID)11294033 035 $a(PQKBTitleCode)TC0000485487 035 $a(PQKBWorkID)10603922 035 $a(PQKB)10358388 035 $a(CEL)433633 035 $a(CaBNvSL)slc00226125 035 $a(MiAaPQ)EBC3272801 035 $a(MiAaPQ)EBC4672928 035 $a(DE-B1597)465211 035 $a(OCoLC)1013956041 035 $a(OCoLC)944176553 035 $a(DE-B1597)9781442697607 035 $a(Au-PeEL)EBL4672928 035 $a(CaPaEBR)ebr11258579 035 $a(OCoLC)958572199 035 $a(OCoLC)1320932625 035 $a(MdBmJHUP)musev2_105839 035 $a(EXLCZ)992560000000054420 100 $a20160926h20092009 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLast Judgment iconography in the Carpathians /$fJohn-Paul Himka 210 1$aToronto, Ontario ;$aBuffalo, New York ;$aLondon, England :$cUniversity of Toronto Press,$d2009. 210 4$dİ2009 215 $a1 online resource (326 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-4875-2341-6 311 $a0-8020-9809-6 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Origins -- Further elaboration -- Disintegration -- Conclusions -- Appendix 1 : Place names in different languages -- Appendix 2 : Ephraim the Syrian's Sermon on the second coming of our Lord Jesus Christ : summary -- Appendix 3 : The life of St. Basil tthe New : summary -- Appendix 4 : Early modern Ukrainian sermons on the Last Judgment. 330 $a"Few subjects in Christianity have inspired artists as much as the Last Judgment. Last Judgment Iconography in the Carpathians examines over 100 images of the Last Judgment, with an emphasis on those from the fifteenth century to the eighteenth century, in the Carpathian mountain region of Ukraine, Poland, Slovakia, and Romania. John-Paul Himka's analysis of these monumental works of art allows him to consider history free from the traditional frameworks and narratives of nations. For nine years, Himka studied Last-Judgment images throughout the Carpathians and found a distinctive and transnational blending of Gothic, Byzantine, and Novgorodian art in the region." "Piecing together the story of how these images were produced and how they developed, Himka traces their origins on linden boards and their evolution on canvas and church walls. Originally painted by monks, these images increased in popularity and eventually came to be commissioned and even painted by peasants and shepherds whose tastes so shocked bishops that they ordered the destruction of depictions of sexual themes and grotesque forms of torture. A richly illustrated and detailed account of history through a style of art, Last Judgment Iconography in the Carpathians will find a receptive audience with art historians, religious scholars, and Slavists."--Jacket. 606 $aJudgment Day in art 606 $aApocalypse in art 606 $aIcons$zCarpathian Mountains Region$xHistory 607 $aCarpathian Mountains Region$xReligious life and customs 608 $aHistory. 608 $aElectronic books. 615 0$aJudgment Day in art. 615 0$aApocalypse in art. 615 0$aIcons$xHistory. 676 $a704.9/482094779 700 $aHimka$b John-Paul$f1949-$0508950 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910829113603321 996 $aLast Judgment iconography in the Carpathians$94032687 997 $aUNINA