LEADER 01172nam0 22003013i 450 001 TO00088618 005 20231121125834.0 010 $a3487069474 100 $a20141212d1979 ||||0itac50 ba 101 | $ager 102 $ade 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $a˜Die œantike Theorie der varietas$eDynamik und Wechsel im Auf und Ab als Charakteristikum von Stil und Struktur$fHenri Louis Fernand Drijepondt 210 $aHildesheim$aNew York$cGeorg Olms$d1979 215 $a255 cm$d21 cm. 225 | $aSpudasmata$v37 410 0$1001CFI0084029$12001 $aSpudasmata$v37 606 $aStile -Teoria sulla varietas$2FIR$3RMLC379197$9I 700 1$aDrijepondt$b, Henri Louis Fernand$3TO0V050852$4070$0316293 801 3$aIT$bIT-01$c20141212 850 $aIT-FR0017 899 $aBiblioteca umanistica Giorgio Aprea$bFR0017 912 $aTO00088618 950 0$aBiblioteca umanistica Giorgio Aprea$d 52CIS 5/813$e 52VM 0000170555 VM barcode:00002462. - Inventario:20699 FLSVM$fA $h20020628$i20121204 977 $a 52 996 $aAntike Theorie der varietas$9805810 997 $aUNICAS LEADER 03322nam 2200565 450 001 9910162792903321 005 20191015111955.0 010 $a1-350-98615-1 010 $a1-78672-076-0 024 7 $a10.5040/9781350986152 035 $a(CKB)3710000001042640 035 $a(MiAaPQ)EBC4792859 035 $a(OCoLC)1139315433 035 $a(CaBNVSL)9781350986152 035 $a(CaBNVSL)mat50986152 035 $a(EXLCZ)993710000001042640 100 $a20191015e20192016 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aDrone age cinema $eaction film and sensory assault /$fSteen Ledet Christiansen 205 $aFirst edition. 210 1$aLondon, England :$cI.B. Tauris & Co. Ltd,$d2016. 210 2$aLondon, England :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (ix, 211 pages, 16 unnumbered pages of plates) $ccolor illustrations 225 1 $aInternational library of the moving image ;$v38 311 $a1-78453-640-7 320 $aIncludes bibliographical references (pages 202-208) and index. 327 $aWar of the senses -- Vectors and the transfer of affect -- Kinetics and the force of movement -- Volatility and flexible bodies -- Corporeal projections and drone bodies -- Droning and audiovisual stun mode -- Cinematic war machines. 330 $a"At a time when technological advances are transforming cultures and supporting new automated military operations, action films engage the senses and, in doing so, allow viewers to embody combat roles. This book argues that through film the viewer adapts to an ecology of fear, one that reflects global panic at the near-constant threat of conflict and violence. Often overwhelming in its audiovisual assault, action cinema attempts to overpower our bodies with its own through force and intensity. In this book, Steen Ledet Christiansen identifies five aspects central to how action films produce such physical movements and responses through vectors, droning, kinetics, telesomatics and volatility and in so doing unveils new modes of perception that acclimatise us for warfare. Drawing on theories from film-philosophy and a consideration of the aesthetics and phenomenology of war, this is an innovative study of the evolving action movie and its role in the targeted address of battle. Chapters investigate new modes of cinematic experience through in-depth case studies of Iron Man, Avatar and the Jason Bourne trilogy, through to The Hurt Locker and Mad Max: Fury Road." -- Publisher's description. 410 0$aInternational library of the moving image ;$v38. 606 $aAction and adventure films$vCase studies 606 $aAction and adventure films$xHistory and criticism 606 $aTechnology in motion pictures 606 $2Film: styles & genres 615 0$aAction and adventure films 615 0$aAction and adventure films$xHistory and criticism. 615 0$aTechnology in motion pictures. 676 $a791.43/6582 700 $aChristiansen$b Steen Ledet$0800575 712 02$aBloomsbury (Firm), 801 0$bYDX 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910162792903321 996 $aDrone age cinema$92892035 997 $aUNINA