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200 10$aRobert Louis Stevenson and romantic tradition /$fby Edwin M. Eigner
210 1$aPrinceton, New Jersey :$cPrinceton University Press,$d1966.
210 4$dİ1966
215 $a1 online resource (273 p.)
225 1 $aPrinceton Legacy Library
300 $aIncludes index.
311 $a0-691-62360-0
311 $a0-691-06113-0
320 $aBibliographical footnotes.
327 $tFront matter --$tPREFACE --$tACKNOWLEDGMENTS --$tCONTENTS --$tI. THE BAD TRADITION AND THE ROMANCE OF MAN --$tII. A SHEEP IN A TURNIP - FIELD --$tIII. SENTIMENTAL COUNTRYMEN AND HIGHLANDERS CIVILIZED --$tIV. THE HOUSE OF GOD --$tV. THE WARIN T HE MEMBERS --$tVI. THE DEVIL ANDALL --$tVII. A CONVULSION OF BRUTE NATURE --$tVIII. A FOOTNOTE TO ROMANCE --$tINDEX
330 $aStevenson's fiction is evaluated in the light of the significant Romantic traditions that have influenced the novel and the romance. Stevenson is also considered as a serious writer and compared with Joseph Conrad, Mark Twain, and other major writers of the period. Originally published in 1966.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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200 10$aBeds and chambers in late medieval England $ereadings, representations and realities /$fHollie L. S. Morgan
210 1$aWoodbridge, Suffolk :$cBoydell & Brewer,$d2017.
215 $a1 online resource (xii, 254 pages) $cdigital, PDF file(s)
300 $aTitle from publisher's bibliographic system (viewed on 10 May 2017).
311 08$a1-903153-71-9
320 $aIncludes bibliographical references and index.
327 $aList of illustrations -- Preface and acknowledgments -- Abbreviations -- Introduction -- "Fyrst arysse erly" -- "Serve thy God deuly" -- "Do thy warke wyssely/[...] and answer the pepll curtesly" -- "Goo to thy bed myrely/and lye therein jocundly" -- "Plesse and loffe thy wyffe dewly/and basse hyr onys or tewys myrely" -- The invisible woman -- Conclusion -- Bibliography -- Index.
330 $aThe bed, and the chamber which contained it, was something of a cultural and social phenomenon in late-medieval England. Their introduction into some aristocratic and bourgeois households captured theimagination of late-medieval English society. The bed and chamber stood for much more than simply a place to rest one's head: they were symbols of authority, unparalleled spaces of intimacy, sanctuaries both for the powerless and the powerful. This change in physical domestic space shaped the ways in which people thought about less tangible concepts such as gender politics, communication, God, sex and emotions. Furthermore, the practical uses of beds and chambers shaped and were shaped by artistic and literary production.
This volume offers the first interdisciplinary study of the cultural meanings of beds and chambers in late-medieval England. It draws on a vast array of literary, pragmatic and visual sources, including romances, saints' lives, lyrics, plays, wills, probate inventories, letters, church and civil court documents, manuscript illumination and physical objects, to shed new light on the ways in which beds and chambers functioned as both physical and conceptual spaces.
Hollie L.S. Morgan is a Research Fellow in the School of History and Heritage, University of Lincoln.
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