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181   $ctxt$2rdacontent
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200 04$aThe best pairt of our play $eessays presented to John J. McGavin$hPart two /$fedited by Sarah Carpenter, Pamela M. King, Meg Twycross, and Greg Walker$b[electronic resource]
210  1$aCambridge :$cD.S. Brewer,$d2017.
215   $a1 online resource (177 pages) $cdigital, PDF file(s)
225 1 $aMedieval English theatre ;$vvolume 38 (2016)
300   $aTitle from publisher's bibliographic system (viewed on 21 Apr 2017).
311   $a1-84384-451-6 
327   $tFrontmatter -- $tContents -- $tEditorial -- $tThe Funeral of Walter Scott, First Earl of Buccleuch: A Grand Ceremonial Occasion -- $tThe Bright Star of the North: James I and his English Coronation -- $t'Ye know eek that in forme of speche is change': Chaucer, Henryson, and the Welsh Troelus a Chresyd -- $tPlaying the Crucifixion in Medieval Wales -- $t'My Boy shall Knowe Himself from Other Men': Active Spectating, Annunciation, and the St John's College Narcissus -- $t'I Speke so Miche to ?ow': Authority, Didacticism, and Audience Address in Middle English Sermons and Morality Plays -- $tEarly English Spectatorship and the 'Cognitive Turn' -- $tThe Theatre of the Mind in Late-Medieval England -- $tPoetics and Beyond: Noisy Bodies and Aural Variations in Medieval English Outdoor Performance -- $tWomen and the Performance of Libel in Early-Modern Devon -- $tAbraham Sacrifiant -- $tEditorial Board (2016)
330   $a"Medieval English Theatre" is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic mystery cycles, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. This volume comprises the second half of the Festschrift presented to John J. McGavin (of which volume 27 is the first); its essays reflect and honour many of his interests. The subjects addressed include ceremonial (a coronation and a grand funeral), audience reception and spectatorship of many kinds, Welsh drama, the role of women in the production of libels, and the structure of didactic dialogue plays. A special addition is the late David Mills' last essay, on the Abraham Sacrifiant of The?odore Be?ze. Contributors: Mishtooni Bose, Elisabeth Dutton, Alice Hunt, Pamela M. King,  David N. Klausner, David Mills, Sue Niebrzydowski, Nadia The?re?se van Pelt, Charlotte Steenbrugge, Eila Williamson
410  0$aMedieval English theatre ;$vvolume 38 (2016)
606   $aTheater$zEngland$xHistory$yMedieval, 500-1500
606   $aEnglish drama$yTo 1500$xHistory and criticism
615  0$aTheater$xHistory
615  0$aEnglish drama$xHistory and criticism.
676   $a792/.09410902
702   $aCarpenter$b Sarah
702   $aKing$b Pamela M.
702   $aTwycross$b Meg
702   $aWalker$b Greg
702   $aMcGavin$b John J.
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a9910162772203321
996   $aThe best pairt of our play$92597341
997   $aUNINA