LEADER 01928oam 22006012 450 001 9910708690403321 005 20220809132330.0 035 $a(CKB)5470000002470321 035 $a(OCoLC)1028614534 035 $a(EXLCZ)995470000002470321 100 $a20180308d2018 ua 0 101 0 $aeng 135 $aurbn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFred Whipple's empire $ethe Smithsonian Astrophysical Observatory, 1955-1973 /$fDavid H. DeVorkin 210 1$aWashington, D.C. :$cSmithsonian Institution Scholarly Press,$d2018. 210 4$d??2018 215 $a1 online resource (xvii, 401 pages) $cillustrations 225 1 $aA Smithsonian contribution to knowledge 311 $a1-944466-17-7 320 $aIncludes bibliographical references (pages 364-388) and index. 517 $aFred Whipple's empire 606 $aAstrophysics$zUnited States$xHistory$y20th century 606 $aAstronomy$zUnited States$xHistory$y20th century 606 $aScience and state$zUnited States$xHistory$y20th century 606 $aCold War$xHistory 606 $aAstronomy$2fast 606 $aAstrophysics$2fast 606 $aScience and state$2fast 607 $aUnited States$2fast 608 $aHistory.$2fast 615 0$aAstrophysics$xHistory 615 0$aAstronomy$xHistory 615 0$aScience and state$xHistory 615 0$aCold War$xHistory. 615 7$aAstronomy. 615 7$aAstrophysics. 615 7$aScience and state. 676 $a522.197444 700 $aDeVorkin$b David H.$f1944-$01388967 712 02$aSmithsonian Institution Scholarly Press, 801 0$bDLC 801 1$bDLC 801 2$bOCLCO 801 2$bOCLCQ 801 2$bOCLCF 801 2$bGPO 906 $aBOOK 912 $a9910708690403321 996 $aFred Whipple's empire$93440057 997 $aUNINA LEADER 03643nam 2200637 a 450 001 9910160352503321 005 20200520144314.0 010 $a0-231-50442-X 024 7 $a10.7312/ferr14880 035 $a(CKB)2670000000186679 035 $a(EBL)909449 035 $a(OCoLC)818856779 035 $a(SSID)ssj0000652558 035 $a(PQKBManifestationID)11384409 035 $a(PQKBTitleCode)TC0000652558 035 $a(PQKBWorkID)10642503 035 $a(PQKB)11145237 035 $a(StDuBDS)EDZ0000087851 035 $a(MiAaPQ)EBC909449 035 $a(DE-B1597)458845 035 $a(OCoLC)979969360 035 $a(DE-B1597)9780231504423 035 $a(EXLCZ)992670000000186679 100 $a20110617d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSacred exchanges $eimages in global context /$fRobyn Ferrell 210 $aNew York $cColumbia University Press$dc2012 215 $a1 online resource (193 p.) 225 1 $aColumbia themes in philosophy, social criticism, and the arts 300 $aDescription based upon print version of record. 311 $a0-231-14880-1 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tList of Photographs -- $tArt -- $tCulture -- $tGender -- $tLaw -- $tReferences -- $tIndex -- $tBackmatter 330 $aAs the international art market globalizes the indigenous image, it changes its identity, status, value, and purpose in local and larger contexts. Focusing on a school of Australian Aboriginal painting that has become popular in the contemporary art world, Robyn Ferrell traces the influence of cultural exchanges on art, the self, and attitudes toward the other.Aboriginal acrylic painting, produced by indigenous women artists of the Australian Desert, bears a superficial resemblance to abstract expressionism and is often read as such by viewers. Yet to see this art only through a Western lens is to miss its unique ontology, logics of sensation, and rich politics and religion. Ferrell explores the culture that produces these paintings and connects its aesthetic to the brutal environmental and economic realities of its people. From here, she travels to urban locales, observing museums and department stores as they traffic interchangeably in art and commodities. Ferrell ties the history of these desert works to global acts of genocide and dispossession. Rethinking the value of the artistic image in the global market and different interpretations of the sacred, she considers photojournalism, ecotourism, and other sacred sites of the western subject, investigating the intersection of modern art and postmodern culture. She ultimately challenges the primacy of the "European gaze" and its fascination with sacred cultures, constructing a more balanced intercultural dialogue that deemphasizes the aesthetic of the real championed by western philosophy. 410 0$aColumbia themes in philosophy, social criticism, and the arts. 606 $aArt$xPolitical aspects 606 $aArt$xEconomic aspects 606 $aArt and society 606 $aPainting, Aboriginal Australian 615 0$aArt$xPolitical aspects. 615 0$aArt$xEconomic aspects. 615 0$aArt and society. 615 0$aPainting, Aboriginal Australian. 676 $a700.1 700 $aFerrell$b Robyn$f1960-$0901612 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910160352503321 996 $aSacred exchanges$94200966 997 $aUNINA LEADER 03508oam 22006974a 450 001 9910140610003321 005 20240424230432.0 010 $a9781457174742 010 $a145717474X 010 $a9780874217513 010 $a0874217512 035 $a(CKB)2670000000013933 035 $a(EBL)496645 035 $a(OCoLC)593333070 035 $a(SSID)ssj0000337763 035 $a(PQKBManifestationID)11253906 035 $a(PQKBTitleCode)TC0000337763 035 $a(PQKBWorkID)10293435 035 $a(PQKB)10779993 035 $a(MiAaPQ)EBC3442792 035 $a(MdBmJHUP)muse13339 035 $a(MiAaPQ)EBC496645 035 $a(Au-PeEL)EBL3442792 035 $a(CaPaEBR)ebr10348765 035 $a(Au-PeEL)EBL496645 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/47800 035 $a(Perlego)2032662 035 $a(oapen)doab47800 035 $a(EXLCZ)992670000000013933 100 $a20090629d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aFolklore and the Internet $evernacular expression in a digital world /$fedited by Trevor J. Blank 205 $a1st ed. 210 $cUtah State University, University Libraries$d2009 210 1$aLogan, Utah :$cUtah State University Press,$d2009. 210 4$dİ2009. 215 $a1 online resource (x, 260 pages ) 311 0 $a9780874217506 311 0 $a0874217504 320 $aIncludes bibliographical references (p. 231-253) and index. 327 $aContents; Acknowledgments; Introduction Toward a Conceptual Framework for the Study of Folklore and the Internet; Chapter 1 Digitizing and Virtualizing Folklore; Chapter 2 Guardians of the Living: Characterization of Missing Women on the Internet; Chapter 3 The End of the Internet: A Folk Response to the Provision of Infinite Choice; Chapter 4 The Forward as Folklore: Studying E-Mailed Humor; Chapter 5 Epistemology, the Sociology of Knowledge, and the Wikipedia Userbox Controversy; Chapter 6 Crusading on the Vernacular Web: The Folk Beliefs and Practices of Online Spiritual Warfare; Chapter 7 Ghosts in the Machine: Mourning the MySpace Dead; Chapter 8 Public Folklore in Cyberspace; Appendix Webography of Public Folklore Resources; References; About the Contributors; Index 330 $aA pioneering examination of the folkloric qualities of the World Wide Web, e-mail, and related digital media. These stuidies show that folk culture, sustained by a new and evolving vernacular, has been a key, since the Internet's beginnings, to language, practice, and interaction online. Users of many sorts continue to develop the Internet as a significant medium for generating, transmitting, documenting, and preserving folklore. In a set of new, insightful essays, contributors Trevor J. Blank, Simon J. Bronner, Robert Dobler, Russell Frank, Gregory Hansen, Robert Glenn Howard, 606 $aDigital communications 606 $aFolklore$xComputer network resources 606 $aFolklore and the Internet 615 0$aDigital communications. 615 0$aFolklore$xComputer network resources. 615 0$aFolklore and the Internet. 676 $a398.02854678 676 $a398.02854678 701 $aBlank$b Trevor J$0801351 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910140610003321 996 $aFolklore and the internet$92246269 997 $aUNINA