LEADER 03171nam 22005415 450 001 9910160347003321 005 20230810001746.0 010 $a0-520-96650-3 024 7 $a10.1525/9780520966505 035 $a(CKB)3710000001021036 035 $a(MiAaPQ)EBC4456473 035 $a(StDuBDS)EDZ0001725387 035 $a(DE-B1597)519021 035 $a(OCoLC)969434880 035 $a(DE-B1597)9780520966505 035 $a(EXLCZ)993710000001021036 100 $a20190920d2017 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aFrom 1989, or European Music and the Modernist Unconscious /$fSeth Brodsky 210 1$aBerkeley, CA : $cUniversity of California Press, $d[2017] 210 4$dİ2017 215 $a1 online resource (365 pages) $cillustrations 300 $aIncludes index. 311 $a0-520-27936-0 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tList of Illustrations -- $tAcknowledgments -- $tIntroduction: "But supposing He does not come" -- $tPart One: Free -- $t1. Drei Phantasiestücke (1) -- $t2. Fantasy & Fantasy (1) -- $t3. Drei Phantasiestücke (2) -- $t4. Fantasy & Fantasy (2) -- $t5. Drei Phantasiestücke (3) -- $tPart Two: New -- $t6. Freiheitsdreck (1) -- $t7. Music & New Music (1) -- $t8. Fantasy & Fantasy (3) -- $t9. Freiheitsdreck (2) -- $t10. Freiheitsdreck (3) -- $tPart Three: Again -- $t11. Repetition (1) -- $t12. Repetition (2) -- $t13. Repetition (3) -- $t14. Repetition (4) -- $t15. Music & New Music (2) -- $tNotes -- $tIndex 330 $aWhat happened to musical modernism? When did it end? Did it end? In this unorthodox Lacanian account of European New Music, Seth Brodsky focuses on the unlikely year 1989, when New Music hardly takes center stage. Instead one finds Rostropovich playing Bach at Checkpoint Charlie; or Bernstein changing "Joy" to "Freedom" in Beethoven's Ninth; or David Hasselhoff lip-synching "Looking for Freedom" to thousands on New Year's Eve. But if such spectacles claim to master their historical moment, New Music unconsciously takes the role of analyst. In so doing, it restages earlier scenes of modernism. As world politics witnesses a turning away from the possibility of revolution, musical modernism revolves in place, performing century-old tasks of losing, failing, and beginning again, in preparation for a revolution to come. 606 $aMusic$zEurope$y20th century$xHistory and criticism 606 $aMusic$zEurope$y20th century$xPhilosophy and aesthetics 606 $aModernism (Music)$zEurope 606 $aNineteen eighty-nine, A.D 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aModernism (Music) 615 0$aNineteen eighty-nine, A.D. 676 $a780.9/04 686 $aLQ 80020$2rvk 700 $aBrodsky$b Seth, $01246649 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910160347003321 996 $aFrom 1989, or European Music and the Modernist Unconscious$92890401 997 $aUNINA