LEADER 01484nam 2200493 450 001 9910820975103321 005 20230809225320.0 010 $a80-210-8540-1 035 $a(CKB)3790000000542484 035 $a(MiAaPQ)EBC5199763 035 $a(Au-PeEL)EBL5199763 035 $a(CaPaEBR)ebr11485762 035 $a(OCoLC)992167531 035 $a(EXLCZ)993790000000542484 100 $a20180124h20172017 uy 0 101 0 $acze 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aNarod dablu $eproc si nechavame vladnout? /$fStein Ringen ; preklad Jiri Ogrocky 210 1$aBrno, [Czech Republic] :$cMasarykova Univerzita,$d2017. 210 4$d©2017 215 $a1 online resource (230 pages) $cillustrations 311 $a80-210-8506-1 320 $aIncludes bibliographical references and index. 606 $aDemocracy$zGreat Britain 606 $aDemocracy$zUnited States 606 $aObedience$xPolitical aspects$zGreat Britain 606 $aObedience$xPolitical aspects$zUnited States 615 0$aDemocracy 615 0$aDemocracy 615 0$aObedience$xPolitical aspects 615 0$aObedience$xPolitical aspects 676 $a320.941 700 $aRingen$b Stein$0249812 702 $aOgrocky$b Jiri 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820975103321 996 $aNarod dablu$94051126 997 $aUNINA LEADER 05834nam 2201129 450 001 9910821967903321 005 20230803195319.0 010 $a0-520-95782-2 024 7 $a10.1525/9780520957824 035 $a(CKB)2670000000529387 035 $a(EBL)1644383 035 $a(MiAaPQ)EBC1644383 035 $a(DE-B1597)519157 035 $a(OCoLC)886380756 035 $a(DE-B1597)9780520957824 035 $a(Au-PeEL)EBL1644383 035 $a(CaPaEBR)ebr10843143 035 $a(CaONFJC)MIL578980 035 $a(OCoLC)871631087 035 $a(EXLCZ)992670000000529387 100 $a20140317h20142014 uy| 0 101 0 $aeng 135 $aurnn#---|u||u 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe Homeric hymns /$fa translation with introduction and notes, Diane J. Rayor 205 $aUpdated edition. 210 1$aBerkeley :$cUniversity of California Press,$d[2014] 210 4$d©2014 215 $a1 online resource (189 p.) 225 1 $aJoan Palevsky imprint in classical literature 300 $aDescription based upon print version of record. 311 0 $a0-520-28211-6 320 $aIncludes bibliographical references. 327 $tFront matter --$tCONTENTS --$tPREFACE --$tACKNOWLEDGMENTS --$tIntroduction --$t1. HYMN TO DIONYSOS --$t2. HYMN TO DEMETER --$t3. HYMN TO APOLLO --$t4. HYMN TO HERMES --$t5. HYMN TO APHRODITE --$t6. HYMN TO APHRODITE --$t7. HYMN TO DIONYSOS --$t8. HYMN TO ARES --$t9. HYMN TO ARTEMIS --$t10. HYMN TO APHRODITE --$t11. HYMN TO ATHENA --$t12. HYMN TO HERA --$t13. HYMN TO DEMETER --$t14. HYMN TO MOTHER OF THE GODS --$t15. HYMN TO LION-HEARTED HERAKLES --$t16. HYMN TO ASKLEPIOS --$t17. HYMN TO THE DIOSKOUROI --$t18. HYMN TO HERMES --$t19. HYMN TO PAN --$t20. HYMN TO HEPHAISTOS --$t21. HYMN TO APOLLO --$t22. HYMN TO POSEIDON --$t23. HYMN TO ZEUS --$t24. HYMN TO HESTIA --$t25. HYMN TO THE MUSES, APOLLO, AND ZEUS --$t26. HYMN TO DIONYSOS --$t27. HYMN TO ARTEMIS --$t28. HYMN TO ATHENA --$t29. HYMN TO HESTIA AND HERMES --$t30. HYMN TO GAIA --$t31. HYMN TO HELIOS --$t32. HYMN TO SELENE --$t33. HYMN TO THE DIOSKOUROI --$t34. HYMN TO XENOI --$tNOTES --$tSELECT BIBLIOGRAPHY --$tGLOSSARY 330 $aThe Homeric Hymns have survived for two and a half millennia because of their captivating stories, beautiful language, and religious significance. Well before the advent of writing in Greece, they were performed by traveling bards at religious events, competitions, banquets, and festivals. These thirty-four poems invoking and celebrating the gods of ancient Greece raise questions that humanity still struggles with-questions about our place among others and in the world. Known as "Homeric" because they were composed in the same meter, dialect, and style as Homer's Iliad and Odyssey, these hymns were created to be sung aloud. In this superb translation by Diane J. Rayor, which deftly combines accuracy and poetry, the ancient music of the hymns comes alive for the modern reader. Here is the birth of Apollo, god of prophecy, healing, and music and founder of Delphi, the most famous oracular shrine in ancient Greece. Here is Zeus, inflicting upon Aphrodite her own mighty power to cause gods to mate with humans, and here is Demeter rescuing her daughter Persephone from the underworld and initiating the rites of the Eleusinian Mysteries. This updated edition incorporates twenty-eight new lines in the first Hymn to Dionysos, along with expanded notes, a new preface, and an enhanced bibliography. With her introduction and notes, Rayor places the hymns in their historical and aesthetic context, providing the information needed to read, interpret, and fully appreciate these literary windows on an ancient world. 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