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024 7 $a10.4324/9781315608693 
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035   $a(MiAaPQ)EBC4786812
035   $a(OCoLC)967457453
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100   $a20180706d2016      uy             0
101 0 $aeng
135   $aurcnu||||||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 10$aShakespeare, adaptation, psychoanalysis $ebetter than new /$fby Matthew Biberman
210  1$aNew York :$cRoutledge,$d2016.
215   $a1 online resource (147 pages)
311   $a0-367-88188-8 
311   $a1-4724-8153-4 
320   $aIncludes bibliographical references and index.
327   $a1. On primary adaptation : Shakespeare, adaptation, and psychoanalysis: the case of Nahum Tate's Lear -- 2. Two instances of secondary adaptation : Otway, Davenant and the birth of the "crossover" episode -- 3. Synchronous adaptation : Hamlet, Macbeth, and The double falsehood -- 4. Crazy love, then and now -- 5. Exit the grave diggers / send in the clowns : Hamlet and The enchanted island.
606   $aPsychoanalysis and literature
615  0$aPsychoanalysis and literature.
676   $a822.3/3
700   $aBiberman$b Matthew$f1966-,$0883615
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910159450403321
996   $aShakespeare, adaptation, psychoanalysis$92002037
997   $aUNINA