LEADER 01185nam 2200421 450 001 990006139420203316 005 20160412162303.0 035 $a000613942 035 $aUSA01000613942 035 $a(ALEPH)000613942USA01 035 $a000613942 100 $a20160412d1994----km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aOpulenta Salernum$fArturo Carucci 205 $a2. ed 210 $aSalerno$cArti Grafiche Boccia$d1994 215 $a241$d30 cm 410 0$12001 454 1$12001 461 1$1001-------$12001 500 11$aOpulenta Salernum$9802867 607 $aSalerno$xStoria$xorigini$zsec 13. 676 $a909.07 700 1$aCarucci,$bArturo$036219 801 0$aIT$bsalbc$gISBD 912 $a990006139420203316 951 $accccc$b123$ccc$d0000 959 $aBK 969 $aDISPAC 979 $aSENDISPAC$b90$c20160412$lUSA01$h1513 979 $aSENDISPAC$b90$c20160412$lUSA01$h1530 979 $aSENDISPAC$b90$c20160412$lUSA01$h1542 979 $aSENDISPAC$b90$c20160412$lUSA01$h1605 979 $aSENDISPAC$b90$c20160412$lUSA01$h1623 996 $aOpulenta Salernum$9802867 997 $aUNISA LEADER 03423nam 2200709 a 450 001 9910454485103321 005 20210429222231.0 010 $a1-281-38571-9 010 $a0-520-94152-7 010 $a9786611385712 010 $a1-4356-5377-7 024 7 $a10.1525/9780520941526 035 $a(CKB)1000000000535150 035 $a(EBL)345566 035 $a(OCoLC)476162454 035 $a(SSID)ssj0000200976 035 $a(PQKBManifestationID)11175186 035 $a(PQKBTitleCode)TC0000200976 035 $a(PQKBWorkID)10232097 035 $a(PQKB)11240066 035 $a(MiAaPQ)EBC345566 035 $a(OCoLC)347284789 035 $a(MdBmJHUP)muse30699 035 $a(DE-B1597)518770 035 $a(DE-B1597)9780520941526 035 $a(Au-PeEL)EBL345566 035 $a(CaPaEBR)ebr10229944 035 $a(CaONFJC)MIL138571 035 $a(EXLCZ)991000000000535150 100 $a20070409d2008 ub 0 101 0 $aeng 135 $aur|nu---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aMelville's Bibles$b[electronic resource] /$fIlana Pardes 210 $aBerkeley $cUniversity of California Press$dc2008 215 $a1 online resource (207 p.) 300 $aDescription based upon print version of record. 311 0 $a0-520-25455-4 311 0 $a0-520-25454-6 320 $aIncludes bibliographical references (p. 157-183) and index. 327 $tFront matter --$tContents --$tList of Illustrations --$tAcknowledgments --$tIntroduction --$t1. Playing with Leviathan: Job and the Aesthetic Turn in Biblical Exegesis --$t2. "Jonah Historically Regarded": Improvisations on Kitto's Cyclopedia of Biblical Literature --$t3. "Call Me Ishmael": The Bible and the Orient --$t4. Ahab, Idolatry, and the Question of Possession: Biblical Politics --$t5. Rachel's Inconsolable Cry: The Rise of Women's Bibles --$tEpilogue --$tNotes --$tIndex 330 $aMany writers in antebellum America sought to reinvent the Bible, but no one, Ilana Pardes argues, was as insistent as Melville on redefining biblical exegesis while doing so. In Moby-Dick he not only ventured to fashion a grand new inverted Bible in which biblical rebels and outcasts assume center stage, but also aspired to comment on every imaginable mode of biblical interpretation, calling for a radical reconsideration of the politics of biblical reception. In Melville's Bibles, Pardes traces Melville's response to a whole array of nineteenth-century exegetical writings-literary scriptures, biblical scholarship, Holy Land travel narratives, political sermons, and women's bibles. She shows how Melville raised with unparalleled verve the question of what counts as Bible and what counts as interpretation. 606 $aBible and literature 606 $aReligion and culture 606 $aReligion and literature$zUnited States$xHistory$y19th century 606 $aAmerican fiction$y19th century$xHistory and criticism 608 $aElectronic books. 615 0$aBible and literature. 615 0$aReligion and culture. 615 0$aReligion and literature$xHistory 615 0$aAmerican fiction$xHistory and criticism. 676 $a813/.3 700 $aPardes$b Ilana$01037531 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910454485103321 996 $aMelville's Bibles$92468544 997 $aUNINA LEADER 03300nam 2200505 450 001 9910158991803321 005 20210117183329.0 010 $a9781910924396$belectronic book 010 $a1910924393$belectronic book 010 $z9781910924389$bprint 010 $z1910924385$bprint 035 $a(CKB)4340000000023607 035 $a(OCoLC)966508025 035 $a(MiAaPQ)EBC4764136 035 $a(MiAaPQ)EBC6052326 035 $a(Au-PeEL)EBL4764136 035 $a(CaPaEBR)ebr11314925 035 $a(Au-PeEL)EBL6052326 035 $a(OCoLC)1156201384 035 $a(EXLCZ)994340000000023607 100 $a20161226h20162016 uy 0 101 0 $aeng 135 $aurcn|nnn||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe weird and the eerie /$fMark Fisher 210 1$aLondon :$cRepeater Books, an imprint of Watkins Media Ltd,$d2016. 210 4$dİ2016 215 $a1 online resource (80 pages) 320 $aIncludes bibliographical references. 327 $aIntroduction -- The Weird and the Eerie (Beyond the Unheimlich) -- The Weird -- The Out of Place and the Out of Time: Lovecraft and the Weird -- The Weird Against the Worldly: H.G. Wells -- "Body a tentacle mess": The Grotesque and The Weird: The Fall -- Caught in the Coils of Ouroboros: Tim Powers -- Simulations and Unworlding: Rainer Werner Fassbinder and Philip K. Dick -- Curtains and Holes: David Lynch -- The Eerie -- Approaching the Eerie -- Something Where There Should Be Nothing: Nothing Where There Should Be Something: Daphne du Maurier and Christopher Priest -- On Vanishing Land: M.R. James and EnoEerie Thanatos: Nigel Kneale and Alan Garner -- Inside Out: Outside In: Margaret Atwood and Jonathan Glazer -- Alien Traces: Stanley Kubrick, Andrei Tarkovsky, Christopher Nolan -- "...The Eeriness Remains": Joan Lindsay. 330 $aWhat exactly are the Weird and the Eerie? In this new essay, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The Weird and the Eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The Weird and the Eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling. Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie. These two modes will be analysed with reference to the work of authors such as H. P. Lovecraft, H. G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christoper Nolan. 606 $aFiction$y20th century$xHistory and criticism 606 $aHorror in literature 615 0$aFiction$xHistory and criticism. 615 0$aHorror in literature. 676 $a809.304 700 $aFisher$b Mark$0704062 801 0$bAuAdUSA 801 1$bAuAdUSA 906 $aBOOK 912 $a9910158991803321 996 $aThe weird and the eerie$92889373 997 $aUNINA