LEADER 03231nam 2200589 450 001 9910300390503321 005 20210223084051.0 010 $a94-017-8685-2 024 7 $a10.1007/978-94-017-8685-0 035 $a(CKB)3710000000095092 035 $a(DE-He213)978-94-017-8685-0 035 $a(SSID)ssj0001187091 035 $a(PQKBManifestationID)11644354 035 $a(PQKBTitleCode)TC0001187091 035 $a(PQKBWorkID)11243184 035 $a(PQKB)11334220 035 $a(MiAaPQ)EBC3096939 035 $a(MiAaPQ)EBC6356664 035 $a(Au-PeEL)EBL3096939 035 $a(CaPaEBR)ebr10970615 035 $a(OCoLC)876736089 035 $a(PPN)177824875 035 $a(EXLCZ)993710000000095092 100 $a20210223d2014 uy 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA course in lens design /$fChris Velzel 205 $a1st ed. 2014. 210 1$aDordrecht :$cSpringer,$d[2014] 210 4$dİ2014 215 $a1 online resource (XV, 334 p. 231 illus.) 225 1 $aSpringer series in optical sciences ;$vVolume 183 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a94-017-8684-4 320 $aIncludes bibliographical references and index. 327 $aPreface -- 1 Geometrical Optics -- 2 Optical instruments (paraxial approximation) -- 3 Aberrations -- 4 Lens design process -- 5 Design strategies -- 6 Design examples -- References -- List of exercises -- Index. 330 $aA Course in Lens Design is an instruction in the design of image-forming optical systems. It teaches how a satisfactory design can be obtained in a straightforward way. Theory is limited to a minimum, and used to support the practical design work. The book introduces geometrical optics, optical instruments and aberrations. It gives a description of the process of lens design and of the strategies used in this process. Half of its content is devoted to the design of sixteen types of lenses, described in detail from beginning to end. This book is different from most other books on lens design because it stresses the importance of the initial phases of the design process: (paraxial) lay-out and (thin-lens) pre-design. The argument for this change of accent is that in these phases much information can be obtained about the properties of the lens to be designed. This information can be used in later phases of the design. This makes A Course in Lens Design a useful self-study book, and a suitable basis for an introductory course in lens design. The mathematics mainly used is college algebra, in a few sections calculus is applied. The book could be used by students of engineering and technical physics, and by engineers and scientists. 410 0$aSpringer series in optical sciences ;$vVolume 183. 606 $aLenses$xDesign and construction 615 0$aLenses$xDesign and construction. 676 $a681.423 700 $aVelzel$b C. H. F.$01064909 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910300390503321 996 $aA course in lens design$92541517 997 $aUNINA LEADER 02463 am 22004933u 450 001 9910158623803321 005 20230810001625.0 010 $a1-78308-625-4 035 $a(CKB)3710000001007845 035 $a(MiAaPQ)EBC4774325 035 $a(OCoLC)980836751 035 $a(ScCtBLL)9abb9768-f934-4e5e-8e8e-cbe9580bfb17 035 $a(EXLCZ)993710000001007845 100 $a20170118h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aBefore Einstein $ethe fourth dimension in fin-de-sie?cle in literature and culture /$fElizabeth L. Throesch 210 1$aLondon, England ;$aNew York, New York :$cAnthem Press,$d2017. 210 4$dİ2017 215 $a1 online resource (222 pages) 225 1 $aAnthem Nineteenth-Century Series 311 $a1-78308-623-8 320 $aIncludes bibliographical references and index. 327 $aImagining something perfectly new: problems of language, conception and perception -- Constructing the fourth dimension: the first series of the scientific romances -- The four-dimensional self: personal, political and untimely -- Four-dimensional consciousness: the correspondence between William James and Charles Howard Hinton -- H.G. Wells's four-dimensional literary aesthetic -- Exceeding the trap of the reflexive: Henry James's dimensions of consciousness. 330 $aBefore Albert Einstein proposed the concept of four-dimensional spacetime, late Victorian scientists, radical philosophers and writers were discussing the possibility of a different kind of fourth dimension. Before Einstein offers the first book-length examination of the impact of pre-Relativity four-dimensional theory on literature and culture at the turn of the twentieth century. 410 0$aAnthem nineteenth century studies. 606 $aSpace and time in literature 606 $aEnglish literature$y19th century$xHistory and criticism 606 $aEnglish literature$y20th century$xHistory and criticism 615 0$aSpace and time in literature. 615 0$aEnglish literature$xHistory and criticism. 615 0$aEnglish literature$xHistory and criticism. 676 $a809.93384 700 $aThroesch$b Elizabeth$0936206 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910158623803321 996 $aBefore Einstein$92109048 997 $aUNINA