LEADER 00854nam0-2200313---450- 001 990008693020403321 005 20081204115756.0 035 $a000869302 035 $aFED01000869302 035 $a(Aleph)000869302FED01 035 $a000869302 100 $a20080729d1971----km-y0itay50------ba 101 0 $aita$afre 102 $aIT 105 $aa-------001gy 200 1 $aVoci d'Africa$epoesia africana di lingua inglese$fa cura di Lucilla Sbicego 210 $aMilano$cSansoni$d1971 215 $a262 p.$cill.$d21 cm 225 1 $a<>maestrale 300 $aTesto orig. a fronte 676 $a821.91$v21$zita 702 1$aSbicego,$bLucilla 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990008693020403321 952 $aBIB. BAT. 6736$b14034$fBAT 959 $aBAT 996 $aVoci d'Africa$9719088 997 $aUNINA LEADER 03436nam 22006135 450 001 9910629298403321 005 20251009105911.0 010 $a9783031164668$b(electronic bk.) 010 $z9783031164651 024 7 $a10.1007/978-3-031-16466-8 035 $a(MiAaPQ)EBC7130123 035 $a(Au-PeEL)EBL7130123 035 $a(CKB)25264908500041 035 $a(DE-He213)978-3-031-16466-8 035 $a(EXLCZ)9925264908500041 100 $a20221101d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aInsulting Music $eA Lexicon of Insult in Music /$fby Lily E. Hirsch 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (213 pages) 311 08$aPrint version: Hirsch, Lily E. Insulting Music Cham : Springer International Publishing AG,c2022 9783031164651 320 $aIncludes bibliographical references and index. 327 $a1. Defining the Lexicon -- Part I Insult in Music -- 2. Musical Insult -- 3. Chanting Cupcake -- 4. The Slants and Self-Insult in Music -- 5. Bullying and Protest -- 6. Frank Zappa?s Plastic People -- Part II Insult at Music -- 7. Awards Ceremonies -- 8. The Music We Hate and Love to Hate -- 9. ?Nasty? Taylor Swift -- 10. Musician Jokes and the Soprano -- 11. Insane Clown Posse and the Provocation of Musical Taste -- Part III Insult in Terms of Music -- 12. "An Insult to Music" -- 13. Music at Restaurants -- 14. Musical Torture -- 15. Talking About Music. 330 $aInsulting Music explores insult in and around music and demonstrates that insult is a key dimension of Western musical experience and practice. There is insult in the music we hear, how we express our musical preferences, as well as our reactions to settings and sites of music and music making. More than that, when music and insult overlap, the effects can both promote social justice or undermine it, foster connection or break it apart. The coming together of music and insult shapes our sense of self and view of other people, underlining and constructing difference, often in terms of race and gender. In the last decade, music?s power dynamics have become an increasingly important concern for music scholars, critics, and fans. Studying musicians such as Frank Zappa, Nickleback, Taylor Swift, and the Insane Clown Posse, and musical phenomena such as musician jokes, the use of music to torture people, and the playing of music in restaurants, this book shows the various and contradictory ways insults are used to negotiate those existing dynamics in and around music. 606 $aPopular music 606 $aMusic 606 $aPopular culture 606 $aPopular Music 606 $aMusic 606 $aPopular Culture 606 $aClassical Music 606 $aPop and Rock 615 0$aPopular music. 615 0$aMusic. 615 0$aPopular culture. 615 14$aPopular Music. 615 24$aMusic. 615 24$aPopular Culture. 615 24$aClassical Music. 615 24$aPop and Rock. 676 $a895.134 676 $a781.64159 700 $aHirsch$b Lily E.$01266125 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910629298403321 996 $aInsulting Music$92968772 997 $aUNINA LEADER 02386oam 2200553zu 450 001 9910157842003321 005 20230120065243.0 010 $a0-19-178849-X 035 $a(CKB)3710000000282970 035 $a(SSID)ssj0001645465 035 $a(PQKBManifestationID)16414447 035 $a(PQKBTitleCode)TC0001645465 035 $a(PQKBWorkID)14961663 035 $a(PQKB)11790959 035 $a(StDuBDS)EDZ0000961122 035 $a(MiAaPQ)EBC4842117 035 $a(MiAaPQ)EBC7035488 035 $a(Au-PeEL)EBL7035488 035 $a(OCoLC)1256081809 035 $a(EXLCZ)993710000000282970 100 $a20160829d2014 uy 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Archpoet and medieval culture 210 1$aOxford :$cOxford University Press,$d2014. 215 $a1 online resource 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a0-19-871922-1 320 $aIncludes bibliographical references and index. 327 $aPrelude in the pub -- The ruin of the world -- Culture and conflict in the chancery -- Transmontane identity -- 'A depraved man sowing tares' -- The anti-actor -- The reluctant encomiast -- The penitent at Pavia -- The preacher of sin -- The roving prophet -- The culture of the Barbarians. 330 8 $aSetting the Archpoet's world and works in their historical contexts, Peter Godman argues that they provide insight into a brilliant counter-culture of medieval Germany. Its subtlest exponent did not indulge in literary play but refashioned the political, social, and religious roles available to a 12th-century thinker in order to create, for himself and his patron, an identity alternative to the norms of clerical conformity prevalent elsewhere in Europe. 517 1 $aArchpoet & medieval culture 606 $aGreek & Latin Languages & Literatures$2HILCC 606 $aLanguages & Literatures$2HILCC 607 $aGermany$xHistory$y843-1273 608 $aCriticism, interpretation, etc.$2fast 608 $aHistory.$2fast 615 7$aGreek & Latin Languages & Literatures 615 7$aLanguages & Literatures 676 $a871.03 700 $aGodman$b Peter$0158650 801 0$bPQKB 906 $aBOOK 912 $a9910157842003321 996 $aThe Archpoet and medieval culture$92836543 997 $aUNINA