LEADER 02435oam 2200577zu 450 001 9910157841603321 005 20210731015627.0 010 $a0-19-178019-7 035 $a(CKB)3710000000316705 035 $a(SSID)ssj0001542515 035 $a(PQKBManifestationID)16131230 035 $a(PQKBTitleCode)TC0001542515 035 $a(PQKBWorkID)12749814 035 $a(PQKB)11744739 035 $a(StDuBDS)EDZ0000982508 035 $a(MiAaPQ)EBC4842130 035 $a(EXLCZ)993710000000316705 100 $a20160829d2014 uy 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGranular modernism 210 1$aOxford :$cOxford University Press,$d2014. 215 $a1 online resource 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-19-870992-7 320 $aIncludes bibliographical references and index. 327 $aIntroduction: granular modernism -- Conrad's roving eye -- Wasting time in Herhardie, Waugh, and Green -- Miscellany in Eliot and Auden -- Waste management in Beckett's Watt -- Conclusion: against the grain. 330 8 $a'Granular Modernism' understands the way that some Modernist texts put themselves together as a way of pulling themselves apart. It proposes that rather than trying to find the shapes of narrative or argument in their writing, the 'Granular Modernists' - namely, Joseph Conrad, William Gerhardie, Evelyn Waugh, Henry Green, T. S. Eliot, W. H. Auden, and Samuel Beckett - experiment in certain of their works in finding the shapelessness of a moment in history that increasingly confidently called itself 'modern', which was to call itself shapeless. 606 $aModernism (Literature)$xHistory and criticism$y20th century 606 $aEnglish literature 606 $aEnglish$2HILCC 606 $aLanguages & Literatures$2HILCC 606 $aEnglish Literature$2HILCC 608 $aCriticism, interpretation, etc.$2fast 615 0$aModernism (Literature)$xHistory and criticism 615 0$aEnglish literature 615 7$aEnglish 615 7$aLanguages & Literatures 615 7$aEnglish Literature 676 $a810/820 686 $a18.05$2bcl 686 $a18.06$2bcl 700 $aCarver$b Beci$01244043 801 0$bPQKB 906 $aBOOK 912 $a9910157841603321 996 $aGranular modernism$92885696 997 $aUNINA