LEADER 03468nam 22005895 450 001 9910157631603321 005 20220501033747.0 010 $a9789811021732 010 $a9811021732 024 7 $a10.1007/978-981-10-2173-2 035 $a(CKB)3710000001001557 035 $a(DE-He213)978-981-10-2173-2 035 $a(MiAaPQ)EBC4774157 035 $a(Perlego)3496444 035 $a(EXLCZ)993710000001001557 100 $a20161228d2017 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGender and Islam in Indonesian Cinema /$fby Alicia Izharuddin 205 $a1st ed. 2017. 210 1$aSingapore :$cSpringer Nature Singapore :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource (XI, 207 p. 3 illus. in color.) 225 1 $aGender, Sexualities and Culture in Asia,$x2662-7892 311 08$a9789811021725 311 08$a9811021724 320 $aIncludes bibliographical references and index. 327 $aGender and the divine pleasures of the cinema -- Dakwah at the cinema: identifying the generic parameters of Islamic films -- Visualising Muslim women and men: a longue durée -- Gender, Islam and the nation in New Order Islamic films -- Empowered Muslim femininities?: representations of women in post-New Order film Islami -- Poor, polygamous but deeply pious: Muslim masculinities in post-New Order film Islami. 330 $aThis book presents a historical overview of the Indonesian ?lm industry, the relationship between censorship and representation, and the rise of women ?lmmakers in the post-New Order period. It considers scholarship on gender in Indonesian cinema through the lens of power relations. Examining key themes such as nationalism, women's rights, polygamy, and terrorism which have preoccupied local filmmakers for decades, it resonates with the socio-political changes and upheavals in Indonesia's modern history and projects images of the nation through the debates on gender and Islam. The text also sheds light on broader debates and questions about contemporary Islam and gender construction in contemporary Indonesia, and addresses the specific issue of Anglo-European born Muslim women who are being radicalized by Daish social media, through the analysis of films such as 'Mata Tertutup' (Closed Eyes) about a young woman's transformation into a suicide bomber. Offering cutting edge accounts of the use of Islamic cinema and mass media, this new book considers gendered dimensions of Islamic media usage which further enrich the representations of the 'religious' and the 'Islamic' in the everyday lives of Muslims in South East Asia. 410 0$aGender, Sexualities and Culture in Asia,$x2662-7892 606 $aSex 606 $aMotion pictures 606 $aTelevision broadcasting 606 $aIslam 606 $aGender Studies 606 $aFilm and Television Studies 606 $aIslam 615 0$aSex. 615 0$aMotion pictures. 615 0$aTelevision broadcasting. 615 0$aIslam. 615 14$aGender Studies. 615 24$aFilm and Television Studies. 615 24$aIslam. 676 $a070.449297 700 $aIzharuddin$b Alicia$4aut$4http://id.loc.gov/vocabulary/relators/aut$01061060 906 $aBOOK 912 $a9910157631603321 996 $aGender and Islam in Indonesian Cinema$92517277 997 $aUNINA