LEADER 04599nam 22007935 450 001 9910156232603321 005 20240326140248.0 010 $a9781137327574 010 $a113732757X 010 $a9781137327581 010 $a1137327588 024 7 $a10.1057/9781137327581 035 $a(CKB)2550000001290343 035 $a(EBL)1685993 035 $a(MiAaPQ)EBC1685993 035 $a(DE-He213)978-1-137-32758-1 035 $a(Perlego)3486181 035 $a(EXLCZ)992550000001290343 100 $a20151120d2014 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aBritish Television Drama $ePast, Present and Future /$fedited by J. Bignell, S. Lacey 205 $a2nd ed. 2014. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2014. 215 $aXII, 255 s 311 08$a9781137327567 311 08$a1137327561 311 08$a9781137327598 311 08$a1137327596 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note: -- Contents -- Acknowledgements -- Notes on the Contributors -- Editors' Introduction -- 1. Contexts; Tony Garnett -- PART I: INSTITUTIONS AND TECHNOLOGIES -- Editors' Introduction to Part I -- 2. Sydney Newman and the 'Golden Age'; Shaun Sutton -- 3. Television Drama Series: a Producer's View; Irene Shubik -- 4. TV Drama: Then and Now; John McGrath -- 5. Writing Television Drama - Then and Now; Andrew Davies -- 6 Brookside: The Technology Backstory; Phil Redmond -- 7 Plot Inflation in Greater Weatherfield: Coronation Street in the 1990s; Billy Smart -- 8 Persuaded? The Impact of Changing Production Contexts on Three Adaptations of Persuasion; Sarah Cardwell -- PART II: FORMATS AND GENRES -- Editors' Introduction to Part II -- 9. 'The Age of Innocence'; Alan Plater -- 10. Playing Shops, Shopping Plays: The Effect of the Internal Market on Television Drama; David Edgar -- 11. 'A Hero Mumsy': Parenting, Power, and Production Changes in The Sarah Jane Adventures; Victoria Byard -- 12. Downton Abbey: Reinventing the British Costume Drama; James Chapman -- 13. What Do Actors Do When They Act? John Caughie -- CODA: Timothy West discusses 'Acting on Stage: Acting on Screen', followed by extracts from the discussion after his and John Caughie's presentations. -- PART III: REPRESENTATIONS -- 14. The 1970s: Regional Variations; Barry Hanson -- 15. 'What Truth is there in this Story?': The Dramatisation of Northern Ireland; Edward Braun -- 16. Moving Waterloo Road from Rochdale to Greenock: Exploring a Sense of Place in Drama Series; Cameron Roach -- 17. Too Secret for Words: Coded Dissent in Female-authored Wednesday Plays; Madeleine Macmurraugh-Kavanagh -- 18. 'Ah! Our very own Juliet Bravo, or is it Jill Gascoine?' Ashes to Ashes and Representations of Gender; Ben Lamb -- 19. Power Plays: Gender, Genre, and Lynda La Plante; Julia Hallam -- Editors' Conclusion -- Select Bibliography -- Index. 330 $aFeaturing leading scholars of British television drama and noted writers and producers from the television industry, this new edition of British Television Drama evaluates past and present TV fiction since the 1960s, and considers its likely future. 606 $aCulture 606 $aMotion pictures 606 $aTelevision broadcasting 606 $aMotion pictures$xProduction and direction 606 $aMotion picture authorship 606 $aFilm genres 606 $aMotion pictures$xHistory 606 $aSociology of Culture 606 $aFilm and Television Studies 606 $aDirecting 606 $aScreenwriting 606 $aGenre Studies 606 $aFilm and TV History 615 0$aCulture. 615 0$aMotion pictures. 615 0$aTelevision broadcasting. 615 0$aMotion pictures$xProduction and direction. 615 0$aMotion picture authorship. 615 0$aFilm genres. 615 0$aMotion pictures$xHistory. 615 14$aSociology of Culture. 615 24$aFilm and Television Studies. 615 24$aDirecting. 615 24$aScreenwriting. 615 24$aGenre Studies. 615 24$aFilm and TV History. 676 $a822.025 686 $aPER010010$aPER010030$aSOC052000$2bisacsh 702 $aBignell$b J$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aLacey$b S$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910156232603321 996 $aBritish Television Drama$92884538 997 $aUNINA