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010   $a981-10-2951-2
024 7 $a10.1007/978-981-10-2951-6
035   $a(CKB)4340000000027201
035   $a(DE-He213)978-981-10-2951-6
035   $a(MiAaPQ)EBC4768412
035   $a(PPN)197454127
035   $a(EXLCZ)994340000000027201
100   $a20161209d2017      u|             0
101 0 $aeng
135   $aurnn|008mamaa
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aMusical Instruments in the 21st Century$b[electronic resource] $eIdentities, Configurations, Practices /$fedited by Till Bovermann, Alberto de Campo, Hauke Egermann, Sarah-Indriyati Hardjowirogo, Stefan Weinzierl
205   $a1st ed. 2017.
210  1$aSingapore :$cSpringer Singapore :$cImprint: Springer,$d2017.
215   $a1 online resource (VII, 412 p. 95 illus., 50 illus. in color.) 
311   $a981-10-2950-4 
320   $aIncludes bibliographical references at the end of each chapters.
330   $aBy exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?
606   $aAcoustical engineering
606   $aAcoustics
606   $aMusic
606   $aSignal processing
606   $aImage processing
606   $aSpeech processing systems
606   $aMultimedia information systems
606   $aEngineering Acoustics$3https://scigraph.springernature.com/ontologies/product-market-codes/T16000
606   $aAcoustics$3https://scigraph.springernature.com/ontologies/product-market-codes/P21069
606   $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000
606   $aSignal, Image and Speech Processing$3https://scigraph.springernature.com/ontologies/product-market-codes/T24051
606   $aMultimedia Information Systems$3https://scigraph.springernature.com/ontologies/product-market-codes/I18059
615  0$aAcoustical engineering.
615  0$aAcoustics.
615  0$aMusic.
615  0$aSignal processing.
615  0$aImage processing.
615  0$aSpeech processing systems.
615  0$aMultimedia information systems.
615 14$aEngineering Acoustics.
615 24$aAcoustics.
615 24$aMusic.
615 24$aSignal, Image and Speech Processing.
615 24$aMultimedia Information Systems.
676   $a620.2
702   $aBovermann$b Till$4edt$4http://id.loc.gov/vocabulary/relators/edt
702   $ade Campo$b Alberto$4edt$4http://id.loc.gov/vocabulary/relators/edt
702   $aEgermann$b Hauke$4edt$4http://id.loc.gov/vocabulary/relators/edt
702   $aHardjowirogo$b Sarah-Indriyati$4edt$4http://id.loc.gov/vocabulary/relators/edt
702   $aWeinzierl$b Stefan$4edt$4http://id.loc.gov/vocabulary/relators/edt
906   $aBOOK
912   $a9910155525903321
996   $aMusical Instruments in the 21st Century$91954025
997   $aUNINA