LEADER 02581oam 2200289z- 450 001 9910155497603321 005 20210111153429.0 010 $a0-7766-2328-1 035 $a(CKB)4340000000015962 035 $a(MiAaPQ)EBC4603258 035 $a(BIP)052755732 035 $a(EXLCZ)994340000000015962 100 $a20161226cuuuuuuuu -u- - 101 0 $aeng 200 14$aThe God of Gods: A Canadian Play 210 $cUniversity of Ottawa Press 215 $a1 online resource (200 p.) 330 8 $aCarroll Aikins's play The God of Gods (1919) has been out of print since its first and only edition in 1927. This critical edition not only revives the work for readers and scholars alike, it also provides historical context for Aikins's often overlooked contributions to theatre in the 1920s and presents research on the different staging techniques in the play's productions.Much of the play's historical significance lies in Aikins's vital role in Canadian theatre, as director of the Home Theatre in British Columbia (1920-22) and artistic director of Toronto's Hart House Theatre (1927-29). Wright reveals The God of Gods as a modernist Canadian work with overt influences from European and American modernisms. Aikins's work has been compared to European modernists Gordon Craig, Adolphe Appia, and Jacques Copeau. Importantly, he was also intimately connected with modernist Canadian artists and the Group of Seven (who painted the scenery for Hart House Theatre).The God of Gods contributes to current studies of theatrical modernism by exposing the primitivist aesthetics and theosophical beliefs promoted by some of Canada's art circles at the turn of the twentieth century. Whereas Aikins is clearly progressive in his political critique of materialism and organized religion, he presents a conservative dramatization of the noble savage as hero. The critical introduction examines how The God of Gods engages with Nietzschean and theosophical philosophies in order to dramatize an Aboriginal lover-artist figure that critiques religious idols, materialism, and violence. Ultimately, The God of Gods offers a look into how English and Canadian theatre audiences responded to primitivism, theatrical modernism, and theosophical tenets during the 1920s.Published in English. 517 $aCanadian Literature Collection 517 $aGod of Gods 676 $a812/.52 700 $aAikins$b Carroll$01452087 702 $aWright$b Kailin$4edt 906 $aBOOK 912 $a9910155497603321 996 $aThe God of Gods: A Canadian Play$93653234 997 $aUNINA