LEADER 03656oam 2200829 c 450 001 9910155409103321 005 20260102090118.0 010 $a9783839436691 010 $a3839436699 024 7 $a10.14361/9783839436691 035 $a(CKB)3710000000974612 035 $a(MiAaPQ)EBC4772679 035 $a(DE-B1597)477026 035 $a(OCoLC)967524261 035 $a(DE-B1597)9783839436691 035 $a(transcript Verlag)9783839436691 035 $a(PPN)202318478 035 $a(Perlego)1463608 035 $a(EXLCZ)993710000000974612 100 $a20260102d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aHawaiian Hula `Olapa$eStylized Embodiment, Percussion, and Chanted Oral Poetry$fMonika Lilleike 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2016 215 $a1 online resource (339 pages) 225 0 $aTheater 311 08$a9783837636697 311 08$a3837636690 320 $aIncludes bibliographical references. 327 $aFrontmatter 1 Table of Contents 5 Preface 11 Acknowledgements 13 Introduction 15 Methods I: Practice as Research 37 Methods II: Interart Aesthetics and Performance Analysis 63 Methods III: Scoring Performance Practice 93 Analysis I: Staging Oral Poetry by Means of Hula 'lapa Performance Practice 119 Analysis II: A Performance Aesthetic Study on Stylized Gestural Articulation 155 Analysis III: By Means of Contrast in Performance 239 Analysis IV: Keying Performance Activity - The Call-And-Response Practice in Hula 'lapa Performance 269 Conclusion 293 Appendices 299 330 $aMonika Lilleike's performance analytic study on Hawaiian Hula `Olapa reveals how this genuine performing art practice shapes and transmits oral history via a distinct set of performative means of framing and stylization. The intermedial confluence of performance elements, sound, body and words instills an oscillating effect of multisensory experience which echoes a deep rooted sense concerned with place, distinct environmental features, and story line. The study appeals to discussions on intermediality, metaphoricity, and to an anthropology of the senses. It outlines practice as research and embodied knowledge as tools to conduct performance analysis. 330 1 $aBesprochen in:Mitteilungen der Anthropologischen Gesellschaft in Wien, 147 (2017), Hermann Mückler 410 0$aTheater (Transcript (Firm)) 517 2 $aLilleike, Hawaiian Hula `Olapa$eStylized Embodiment, Percussion, and Chanted Oral Poetry 606 $aPerformance 606 $aOral Poetry 606 $aStylization 606 $aHula 606 $aHawaii 606 $aEmbodied Knowledge 606 $aPractice As Research 606 $aTheatre 606 $aDance 606 $aBody 606 $aTheatre Studies 606 $aDance Studies 606 $aAesthetics 615 4$aPerformance 615 4$aOral Poetry 615 4$aStylization 615 4$aHula 615 4$aHawaii 615 4$aEmbodied Knowledge 615 4$aPractice As Research 615 4$aTheatre 615 4$aDance 615 4$aBody 615 4$aTheatre Studies 615 4$aDance Studies 615 4$aAesthetics 676 $a793.319969 700 $aLilleike$b Monika$p

Monika Lilleike, Halau Hula Makahikina, Berlin, Deutschland

$4aut$01888092 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910155409103321 996 $aHawaiian Hula `Olapa$94526417 997 $aUNINA