LEADER 03730nam 2200589 450 001 9910155391803321 005 20200923020339.0 010 $a3-11-043239-0 010 $a3-11-043217-X 024 7 $a10.1515/9783110432176 035 $a(DE-576)479619441 035 $a(CKB)3850000000000674 035 $a(MiAaPQ)EBC4843196 035 $a(DE-B1597)454914 035 $a(OCoLC)966429580 035 $a(OCoLC)979847447 035 $a(DE-B1597)9783110432176 035 $a(Au-PeEL)EBL4843196 035 $a(CaPaEBR)ebr11384844 035 $a(CaONFJC)MIL1006354 035 $a(EXLCZ)993850000000000674 100 $a20170605h20162016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aPopular opinion in the middle ages $echanneling public ideas and attitudes /$fCharles W. Connell 210 1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2016. 210 4$dİ2016 215 $a1 online resource (366 pages) $cillustrations 225 1 $aFundamentals of Medieval and Early Modern Culture,$x1864-3396 ;$vVolume 18 311 $a3-11-044060-1 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tAcknowledgements -- $tPreface -- $tContents -- $tChapter 1. Constructing the Public, its Opinion and its Media of Influence -- $tChapter 2. The Peace of God and Growing Awareness of the "Public" -- $tChapter 3. Investiture and Reform Appeal to the Populus -- $tChapter 4. Heresy as the Public Challenge to Orthodoxy -- $tChapter 5. Influence and Challenge: the Power of the Crusades in their Own Public Sphere -- $tChapter 6. Broadening the Public Culture in the Later Middle Ages -- $tChapter 7. Community, Representation, and the Populus in Practice and Theory -- $tChapter 8. Conclusion -- $tAbbreviations -- $tBibliography -- $tIndex 330 $aThis book provides a needed overview of the scholarship on medieval public culture and popular movements such as the Peace of God, heresy, and the crusades and illustrates how a changing sense of the populus, the importance of publics and public opinion and public spheres was influential in the evolution of medieval cultures. Public opinion did play an important role, even in the Middle Ages; it did not wait until the era of modern history to do so. Using modern research on such aspects of culture as textual communities, large and small publics, cults, crowds, rumor, malediction, gossip, dispute resolution and the European popular revolution, the author focuses on the Peace of God movement, the era of Church reform in the tenth and eleventh centuries, the rise and combat of heresy, the crusades, and the works of fourteenth-century political thinkers such as Marsiglio of Padua regarding the role of the populus as the basis for the analysis. The pattern of changes reflected in this study argues that just as in the modern world the simplistic idea of "the public" was a phantom. Instead there were publics large and small that were influential in shaping the cultures of the era under review. 410 0$aFundamentals of medieval and early modern culture ;$vVolume 18. 606 $aPublic opinion$zEurope$xHistory$yTo 1500 606 $aCivilization, Medieval 607 $aEurope$xHistory$y476-1492 608 $aElectronic books. 615 0$aPublic opinion$xHistory 615 0$aCivilization, Medieval. 676 $a303.38094 700 $aConnell$b Charles W.$01038499 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910155391803321 996 $aPopular opinion in the middle ages$92460112 997 $aUNINA LEADER 04907nam 22009735 450 001 9910779284203321 005 20231006165104.0 010 $a1-280-49188-4 010 $a9786613587114 010 $a0-520-95135-2 024 7 $a10.1525/9780520951358 035 $a(CKB)2550000000101579 035 $a(EBL)919525 035 $a(OCoLC)794328504 035 $a(SSID)ssj0000678063 035 $a(PQKBManifestationID)11930412 035 $a(PQKBTitleCode)TC0000678063 035 $a(PQKBWorkID)10697026 035 $a(PQKB)10935779 035 $a(StDuBDS)EDZ0000092614 035 $a(DE-B1597)518698 035 $a(DE-B1597)9780520951358 035 $a(MiAaPQ)EBC919525 035 $a(EXLCZ)992550000000101579 100 $a20200424h20122012 fg 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aJazz/Not Jazz $eThe Music and Its Boundaries /$fDavid Ake, Charles Hiroshi Garrett, Daniel Ira Goldmark 210 1$aBerkeley, California :$cUniversity of California Press,$d[2012] 210 4$dİ2012 215 $a1 online resource (312 pages) 300 $aDescription based upon print version of record. 311 $a0-520-27103-3 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tList of Illustrations --$tAcknowledgments --$tIntroduction --$t1. Incorporation and Distinction in Jazz History and Jazz Historiography --$t2. Louis Armstrong Loves Guy Lombardo --$t3. The Humor of Jazz --$t4. Creating Boundaries in the Virtual Jazz Community --$t5. Latin Jazz, Afro- Latin Jazz, Afro- Cuban Jazz, Cubop, Ca rib be an Jazz, Jazz Latin, or Just . . . Jazz: The Politics of Locating an Intercultural Music --$t6. Jazz with Strings: Between Jazz and the Great American Songbook --$t7. "Slightly Left of Center": Atlantic Rec ords and the Problems of Genre --$t8. The Praxis of Composition- Improvisation and the Poetics of Creative Kinship --$t9. The Sound of Struggle: Black Revolutionary Nationalism and Asian American Jazz --$t10. Voices from the Jazz Wilderness: Locating Pacific Northwest Vocal Ensembles within Jazz Education --$t11. Crossing the Street: Rethinking Jazz Education --$t12. Deconstructing the Jazz Tradition: The "Subjectless Subject" of New Jazz Studies --$tContributors --$tIndex 330 $aWhat is jazz? What is gained-and what is lost-when various communities close ranks around a particular definition of this quintessentially American music? Jazz/Not Jazz explores some of the musicians, concepts, places, and practices which, while deeply connected to established jazz institutions and aesthetics, have rarely appeared in traditional histories of the form. David Ake, Charles Hiroshi Garrett, and Daniel Goldmark have assembled a stellar group of writers to look beyond the canon of acknowledged jazz greats and address some of the big questions facing jazz today. More than just a history of jazz and its performers, this collections seeks out those people and pieces missing from the established narratives to explore what they can tell us about the way jazz has been defined and its history has been told. 606 $aJazz - History and criticism 606 $aJazz -- History and criticism 606 $aJazz$xHistory and criticism 610 $a20th century america. 610 $a20th century music. 610 $aafrican american history. 610 $aafrican american jazz. 610 $aafro-latin jazz. 610 $aamerican music history. 610 $aamerican music. 610 $aasian american jazz. 610 $ablack music. 610 $abooks for music lovers. 610 $acaribbean jazz. 610 $aevolution of jazz. 610 $ahistory of jazz. 610 $ahistory of music. 610 $aintercultural music. 610 $ajazz and blues. 610 $ajazz icons. 610 $ajazz literature. 610 $ajazz lovers. 610 $ajazz music. 610 $ajazz performers. 610 $ajazz studies. 610 $ajazz tradition. 610 $alatin jazz. 610 $alouis armstrong. 610 $amusic and culture. 610 $amusic history majors. 610 $amusic studies. 610 $amusicians. 615 4$aJazz - History and criticism. 615 4$aJazz -- History and criticism. 615 0$aJazz$xHistory and criticism 676 $a781.65 702 $aAke$b David Andrew$f1961-$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aGarrett$b Charles Hiroshi$f1966-$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aGoldmark$b Daniel$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910779284203321 996 $aJazz$9308485 997 $aUNINA