LEADER 05736nam 2200745 450 001 9910155311503321 005 20211202162328.0 010 $a3-319-40295-1 024 7 $a10.1007/978-3-319-40295-6 035 $a(CKB)4340000000018757 035 $a(OCoLC)965130540$z(OCoLC)964698617$z(OCoLC)966901253 035 $a(DE-He213)978-3-319-40295-6 035 $a(MiAaPQ)EBC4751455 035 $a(EXLCZ)994340000000018757 100 $a20161130h20172017 uy 0 101 0 $aeng 135 $aur|n#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aEmerging genres in new media environments /$fCarolyn R. Miller, Ashley R. Kelly, editiors 210 1$aCham :$cPalgrave Macmillan,$d[2017] 210 4$d©2017 215 $a1 online resource (xviii, 308 pages) $cillustrations 311 1 $a3-319-40294-3 311 08$aPrint version: Emerging genres in new media environments 9783319402949 (DLC) 2016956855 320 $aIncludes bibliographical references and index. 327 $a1.Where Do Genres Come From? by Carolyn R. Miller -- Section Introduction: Medium -- 2.Bridge to Genre: Spanning Technological Change, by Janet Giltrow -- 3.Remediating Diagnosis: A Familiar Narrative Form or Emerging Digital Genre? by Lora Arduser -- 4.Russian New Media Users? Reaction to a Meteor Explosion in Chelyabinsk: Twitter versus YouTube, by Natalia Rulyova -- 5.Resisting the ?Natural?: Rhetorical Delivery and the Natural User Interface, by Ben McCorkle -- 6.Expansive genres of play: getting serious about game genres for the design of future learning environments, by Brad Mehlenbacher and Christopher Kampe -- Section Introduction: Genre Transformation -- 7.From Printed Newspaper to Digital Newspaper: What Has Changed? by Jaqueline Barreto Lé -- 8.Cross-culturally Narrating Risks, Imagination, and Realities of HIV/AIDS, by Huiling Ding -- 9.Source as Paratext: Videogame Adaptations and the Question of Fidelity, by Neil Randall -- 10.Atypical Rhetorical Actions: Defying Genre Expectations on Amazon.com, by Christopher Basgier -- Section Introduction: Values -- 11.Autopathographies in New Media Environments at the Turn of the Twenty?First Century, by Tamar Tembeck -- 12.Sentimentalism in Online Deliberation: Assessing the Generic Liability of Immigration Discourses, by E. Johanna Hartelius -- 13.Collected Debris of Public Memory: Commemorative Genres and the Mediation of the Past, by Victoria J. Gallagher and Jason Kalin -- 15.Hard Ephemera: Textual Tactility and the Design of the Post-Digital Narrative in Chris Ware?s ?Colorful Keepsake Box? and Other Nonobjects, by Colbey Emmerson Reid -- 16.Genre Emergence and Disappearance in Feminist Histories of Rhetoric, by Risa Applegarth -- Postscript: Futures for Genre Studies, by Ashley Rose Kelly . 330 $aThis volume explores cultural innovation and transformation as revealed through the emergence of new media genres. New media have enabled what impresses most observers as a dizzying proliferation of new forms of communicative interaction and cultural production, provoking multimodal experimentation, and artistic and entrepreneurial innovation. Working with the concept of genre, scholars in multiple fields have begun to explore these processes of emergence, innovation, and stabilization. Genre has thus become newly important in game studies, library and information science, film and media studies, applied linguistics, rhetoric, literature, and elsewhere. Understood as social recognitions that embed histories, ideologies, and contradictions, genres function as recurrent social actions, helping to constitute culture. Because genres are dynamic sites of tension between stability and change, they are also sites of inventive potential. Emerging Genres in New Media Environments brings together compelling papers from scholars in Brazil, Canada, England, and the United States to illustrate how this inventive potential has been harnessed around the world. 606 $aDigital media 606 $aCommunication 606 $aCultural studies 606 $aCulture$xStudy and teaching 606 $aFilm genres 606 $aSociology 606 $aDigital media$2fast$3(OCoLC)fst00893716 606 $aMedia and Communication$3https://scigraph.springernature.com/ontologies/product-market-codes/412010 606 $aGenre$3https://scigraph.springernature.com/ontologies/product-market-codes/413110 606 $aCommunication Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/X28000 606 $aCultural Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/411130 606 $aCultural Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/X22040 606 $aMedia Research$3https://scigraph.springernature.com/ontologies/product-market-codes/X29000 615 0$aDigital media. 615 0$aCommunication. 615 0$aCultural studies. 615 0$aCulture$xStudy and teaching. 615 0$aFilm genres. 615 0$aSociology. 615 7$aDigital media. 615 14$aMedia and Communication. 615 24$aGenre. 615 24$aCommunication Studies. 615 24$aCultural Theory. 615 24$aCultural Studies. 615 24$aMedia Research. 676 $a006.7 702 $aMiller$b Carolyn R$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aKelly$b Ashley R$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDLC 801 1$bDLC 801 2$bYDX 906 $aBOOK 912 $a9910155311503321 996 $aEmerging genres in new media environments$92499966 997 $aUNINA