LEADER 01031nam--2200349---450- 001 990000609430203316 035 $a0060943 035 $aUSA010060943 035 $a(ALEPH)000060943USA01 035 $a0060943 100 $a20010905d1967----km-y0itay0103----ba 101 $aeng 102 $aDE 105 $a||||||||001yy 200 1 $aFoundation of physics$ewith 5 figures 210 $aBerlin$cSpringer Verlag$d1967 215 $aXII, 311 p.$cill.$d23 cm 225 2 $aSpringer Tracts in Natural Phylosophy$v10 410 $12001$aSpringer Tracts in Natural Phylosophy$v10 676 $a530. 700 1$aBUNGE,$bMario$040460 801 0$aIT$bsalbc$gISBD 912 $a990000609430203316 951 $a500 STN 10$b10429 CBS$c500 STN$d00107736 959 $aBK 969 $aSCI 979 $aPATTY$b90$c20010905$lUSA01$h1729 979 $aPATTY$b90$c20010906$lUSA01$h0913 979 $c20020403$lUSA01$h1710 979 $aPATRY$b90$c20040406$lUSA01$h1642 996 $aFoundation of physics$9957517 997 $aUNISA LEADER 03236nam 22005895 450 001 9910155277303321 005 20240627180334.0 010 $a9783319393186 010 $a3319393189 024 7 $a10.1007/978-3-319-39318-6 035 $a(CKB)4340000000024222 035 $a(DE-He213)978-3-319-39318-6 035 $a(MiAaPQ)EBC4766007 035 $a(Perlego)3497138 035 $a(EXLCZ)994340000000024222 100 $a20161207d2017 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCognitive Approaches to German Historical Film $eSeeing is Not Believing /$fby Jennifer Marston William 205 $a1st ed. 2017. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource (IX, 200 p. 5 illus. in color.) 225 1 $aCognitive Studies in Literature and Performance,$x2945-7300 311 08$a9783319393179 311 08$a3319393170 320 $aIncludes bibliographical references and index. 327 $a.1. Introduction: What this Book is, and is Not -- 2. Conceptual Blending and Imagining Historical Time and Space -- 3. Theory of Mind and the Cinematic Retelling of History -- 4. Perspective-Taking and Empathic Responses to Historical Film -- 5. Epilogue: Examining the Mind's Eye through the Viewer's Eye: Implications and Future Directions. 330 $aThis book explores how minds at the movies understand minds in the movies and introduces readers to some fundamental principles of Cognitive Studies-namely conceptual blending, Theory of Mind, and empathy/perspective-taking-through their application to film analysis. A cognitive approach to recent popular historical films demonstrates cinema's potential to stimulate viewers' critical thinking about crucial events of the past century. Diverging from the focus on narrative processing in traditional cognitivist theory, this book examines film reception and production in the context of the latest developments in cognitive and social psychology. Turning to German cinema as a case study for this interdisciplinary partnership, Jennifer Marston William offers a fresh look at some internationally successful films of the twenty-first century, including Nowhere in Africa, Goodbye, Lenin!, Sophie Scholl, Downfall, The Lives of Others, and TheBaader-Meinhof Complex. 410 0$aCognitive Studies in Literature and Performance,$x2945-7300 606 $aMotion picture plays, European 606 $aMotion pictures 606 $aEthnology$zEurope 606 $aCulture 606 $aEuropean Film and TV 606 $aFilm Theory 606 $aEuropean Culture 615 0$aMotion picture plays, European. 615 0$aMotion pictures. 615 0$aEthnology 615 0$aCulture. 615 14$aEuropean Film and TV. 615 24$aFilm Theory. 615 24$aEuropean Culture. 676 $a791.43094 700 $aWilliam$b Jennifer Marston$4aut$4http://id.loc.gov/vocabulary/relators/aut$0975286 906 $aBOOK 912 $a9910155277303321 996 $aCognitive Approaches to German Historical Film$92220935 997 $aUNINA