LEADER 02204nam 22004573 450 001 9910155170503321 005 20230808202419.0 010 $a9782336400471 010 $a2336400472 035 $a(CKB)3810000000043015 035 $a(MiAaPQ)EBC6150943 035 $a(Au-PeEL)EBL6150943 035 $a(OCoLC)1148895361 035 $a(Exl-AI)6150943 035 $a(EXLCZ)993810000000043015 100 $a20210901d2016 uy 0 101 0 $afre 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aLe Collectionnisme Au XIXe Sie?cle $eThe?ophile Gautier et les Pre?faces Aux Catalogues des Ventes Aux Enche?res 205 $a1st ed. 210 1$aParis :$cEditions L'Harmattan,$d2016. 210 4$d©2016. 215 $a1 online resource (254 pages) 311 08$a9782343080796 311 08$a2343080798 330 $aCettina Rizzo's work explores the intricacies of art collection in the 19th century, detailing its transformation from Renaissance traditions to a complex social phenomenon. The book delves into how the political and social changes of the period influenced the practices and perceptions of collecting art. It highlights the critical discourse surrounding art collections, auctions, and the evolving tastes and associations within artistic circles, with a focus on Théophile Gautier's contributions to art criticism and literature. Rizzo, a professor of French language and literature, uses her expertise to examine the relationships between art and writing, providing critical insights into 19th-century artistic and literary practices. This book is aimed at scholars and enthusiasts of art history, literature, and cultural studies.$7Generated by AI. 606 $aArt historians as collectors$7Generated by AI 606 $aArt criticism$xHistory$7Generated by AI 615 0$aArt historians as collectors 615 0$aArt criticism$xHistory 700 $aRizzo$b Cettina$0618125 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910155170503321 996 $aLe Collectionnisme Au XIXe Sie?cle$92593784 997 $aUNINA