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024 7 $a10.4324/9781315697635 
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101 0 $aeng
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181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 10$aPhysical actor training $ewhat shall I do with the body they gave me? /$fAndrei Droznin ; edited and translated by Natalia Fedorova
205   $a1st ed.
210  1$aLondon ;$aNew York :$cRoutledge,$d2017.
215   $a1 online resource (225 pages)
300   $a"Publication of this work was effected under the auspices of the Mikhail Prokhorov Foundation TRANSCRIPT programme to support translations of Russian literature."
311   $a1-138-90194-6 
311   $a1-138-90192-X 
320   $aIncludes bibliographical references and index.
327   $a1. Introduction -- 2. The actor's external technique -- 3. The actor's external technique (continued) -- 4. The actor's external technique (conclusion) -- 5. The body as a material medium of acting -- 6. Desomatisation (loss of functions) -- 7. Desomatisation (self-destruction) -- 8. Body and soul (in life) -- 9. Body and soul (in art) -- 10. Stanislavski -- 11. Meyerhold -- 12. The problem (between Stanislavski and Meyerhold) -- 13. Vakhtangov -- 14. The others (time to search) -- 15. After the Titans (time to lose) -- 16. Drama school in the age of pluralism -- 17. Physical universalism -- 18. Phobia of the physical -- 19. Phobia of the physical (continued) -- 20. On the actor's external technique again (dropout of the external technique) -- 21. Physical actor training (time to gather stones) -- 22. Instead of an epilogue.
606   $aActing
606   $aMovement (Acting)
606   $aNonverbal communication in motion pictures
615  0$aActing.
615  0$aMovement (Acting)
615  0$aNonverbal communication in motion pictures.
676   $a792.028
676   $a792.028
700   $aDroznin$b A. B$g( Andrei Droznin),$0972321
701   $aFedorova$b Natalia$c(Dance teacher)$0972322
801  0$bMiAaPQ
801  1$bMiAaPQ
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906   $aBOOK
912   $a9910155131303321
996   $aPhysical actor training$92210850
997   $aUNINA