LEADER 02910oam 2200637I 450 001 9910783638703321 005 20230617002935.0 010 $a1-134-43704-8 010 $a0-203-41067-X 010 $a1-134-43705-6 010 $a1-280-05607-X 010 $a0-203-32721-7 024 7 $a10.4324/9780203327210 035 $a(CKB)1000000000247560 035 $a(EBL)198347 035 $a(OCoLC)252898190 035 $a(SSID)ssj0000287897 035 $a(PQKBManifestationID)11236201 035 $a(PQKBTitleCode)TC0000287897 035 $a(PQKBWorkID)10372202 035 $a(PQKB)10005579 035 $a(MiAaPQ)EBC198347 035 $a(Au-PeEL)EBL198347 035 $a(CaPaEBR)ebr10165948 035 $a(CaONFJC)MIL5607 035 $a(EXLCZ)991000000000247560 100 $a20180331d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aActions of architecture $earchitects and creative users /$fJonathan Hill 210 1$aLondon ;$aNew York :$cRoutledge,$d2003. 215 $a1 online resource (213 p.) 300 $aDescription based upon print version of record. 311 $a0-415-29043-0 311 $a0-415-29042-2 320 $aIncludes bibliographical references (p. 202-217) and index. 327 $tThe reader/viewer/user's guide --$tThe role of the user --$tThe passive user --$tFrom the reactive user to the creative user --$tThe creative user --$tMontage after shock --$tThe montage of fragments --$tThe montage of gaps --$tThe institute of illegal architects --$tWeather architecture (Berlin1929-1930, Barcelona 1986-, Barcelona 1999-) --$tWhite on white --$tElectromagnetic weather --$tThe subject is matter --$tTurning a wall in to a window. 330 $aDrawing on the work of a wide range of architects, artists and writers, this book considers the relations between the architect and the user, which it compares to the relations between the artist and viewer and the author and reader. The book's thesis is informed by the text 'The Death of the Author', in which Roland Barthes argues for a writer aware of the creativity of the reader. Actions of Architecture begins with a critique of strategies that define the user as passive and predictable, such as contemplation and functionalism. Subsequently it considers how an awareness of 606 $aArchitects$xPublic relations 606 $aArchitects and patrons 606 $aCommunication in architectural design 615 0$aArchitects$xPublic relations. 615 0$aArchitects and patrons. 615 0$aCommunication in architectural design. 676 $a721/.068/8 700 $aHill$b Jonathan$f1958,$01489869 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910783638703321 996 $aActions of architecture$93710755 997 $aUNINA LEADER 00772nam a2200205 i 4500 001 991004308430407536 005 20250708195219.0 008 240221q19.. it a drf 001 0 ita d 040 $aBibl. Interfacoltà T. Pellegrino$bita$cSocioculturale Scs 041 0 $aita 100 1 $aAvelardi, Arturo$0316663 245 10$aGenti ed eroi :$bcorso di storia per gl'istituti tecnici e magistrali inferiori /$cA. Avelardi, E. Oberti 260 $aPalermo ;$aMilano :$bSandron,$c[19..]- 300 $avolumi :$bill. ;$c23 cm 505 00$gVol. 1 :$tDagli imperi orientali alla conquista romana del mediterraneo. -$g219 p. : ill. 650 4$aStoria$vTesti scolastici 700 1 $aOberti, Eugenio 912 $a991004308430407536 996 $aGenti ed eroi$93910722 997 $aUNISALENTO LEADER 02166oam 2200493I 450 001 9910155119903321 005 20240505170741.0 010 $a1-315-43605-1 010 $a1-315-43604-3 010 $a1-315-43603-5 024 7 $a10.4324/9781315436050 035 $a(CKB)4340000000023972 035 $a(MiAaPQ)EBC4767370 035 $a(OCoLC)967736463 035 $a(EXLCZ)994340000000023972 100 $a20180706d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aMemos from a theatre lab $eexploring what immersive theatre "does" /$fNandita Dinesh 205 $a1st ed. 210 1$aMilton Park, Abingdon, Oxon ;$aNew York :$cRoutlege,$d2017. 215 $a1 online resource (128 pages) $cillustrations 225 0 $aRoutledge focus 311 08$a1-138-21918-5 320 $aIncludes bibliographical references and index. 327 $aThe framework -- The two performances -- The data & the spectators -- The data & the actors -- Conclusions. 330 $aWhat does immersive theatre 'do'? By contrasting two specific performances on the same theme - one an 'immersive' experience and the other a more conventional theatrical production - Nandita Dinesh explores the different ways in which theatrical form impacts upon actors and audiences. An in-depth case study of her work Pinjare (Cages) sets out the 'hows' and 'whys' of her specific aesthetic framework. Memos from a Theatre Lab places Dinesh's practical work within the context of existing analyses of immersive theatre, using this investigation to generate an underpinning theory of how immersive theatre works for its participants. 410 0$aRoutledge Focus. 606 $aPerforming arts$xAudiences 606 $aParticipatory theater 615 0$aPerforming arts$xAudiences. 615 0$aParticipatory theater. 676 $a792.02/2 700 $aDinesh$b Nandita.$0887077 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910155119903321 996 $aMemos from a theatre lab$92287461 997 $aUNINA