LEADER 03714oam 2200673I 450 001 9910155116503321 005 20240505170856.0 010 $a9781315676852 010 $a1315676850 010 $a9781317386421 010 $a1317386426 010 $a9781317386414 010 $a1317386418 024 7 $a10.4324/9781315676852 035 $a(CKB)4340000000024007 035 $a(MiAaPQ)EBC4767443 035 $a(OCoLC)967745445 035 $a(OCoLC)965826139 035 $a(UkLoBP)BP9781315676852BVA 035 $a(EXLCZ)994340000000024007 100 $a20180706d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aContemporary art and digital culture /$fMelissa Gronlund 205 $a1st ed. 210 1$aMilton Park, Abingdon :$cTaylor & Francis Ltd,$d2016. 210 2$aLondon :$cBloomsbury Publishing (UK),$d2025. 215 $a1 online resource (247 pages) $cillustrations 311 08$a9781138936386 311 08$a1138936383 320 $aIncludes bibliographical references and index. 327 $aIntroduction: beyond the visible image -- Reproducibility and appropriation in the twentieth century: precursors to the digital age -- Cybernetics and the posthuman: the emergence of art systems -- Challenges to immateriality: posthumanist thought and digitality -- Violence and the surveilled internet -- Identity, language and the body online -- The art world infrastructure post-internet. 330 $aContemporary Art and Digital Culture/ analyses the impact of the internet and digital technologies upon art today. Art over the last fifteen years has been deeply inflected by the rise of the internet as a mass cultural and socio-political medium, while also responding to urgent economic and political events, from the financial crisis of 2008 to the ongoing conflicts in the Middle East.This book looks at how contemporary art addresses digitality, circulation, privacy, and globalisation, and suggests how feminism and gender binaries have been shifted by new mediations of identity. It situates current artistic practice both in canonical art history and in technological predecessors such as cybernetics and net.art, and takes stock of how the art-world infrastructure has reacted to the internet's promises of democratisation. An invaluable resource for undergraduate and postgraduate students of contemporary art - especially those studying history of art and art practice and theory - as well as those working in film, media, curation, or art education.Melissa Gronlund is a writer and lecturer on contemporary art, specialising in the moving image. From 2007-2015, she was co-editor of the journal Afterall, and her writing has appeared there and in Artforum, e-flux journal, frieze, the NewYorker.com, and many other places. 606 $aArt and the Internet 606 $aArts and society 606 $aDigital media$xSocial aspects 606 $aTechnology and the arts 606 $aArt & design styles: from c 1960$2bicssc 606 $aInternet: general works$2bicssc 606 $aMedia studies$2bicssc 615 0$aArt and the Internet 615 0$aArts and society 615 0$aDigital media$xSocial aspects 615 0$aTechnology and the arts. 615 7$aArt & design styles: from c 1960 615 7$aInternet: general works 615 7$aMedia studies 676 $a701/.03 676 $a701.03 700 $aGronlund$b Melissa$0976289 801 0$bUkLoBP 801 1$bUkLoBP 906 $aBOOK 912 $a9910155116503321 996 $aContemporary art and digital culture$92223869 997 $aUNINA