LEADER 03849nam 2200553 450 001 9910155109503321 005 20191118111955.0 010 $a0-7556-9482-1 010 $a1-78673-966-6 010 $a0-85773-848-8 024 7 $a10.5040/9780755694822 035 $a(CKB)3710000000973127 035 $a(MiAaPQ)EBC4769239 035 $a(CaBNVSL)mat55694822 035 $a(OCoLC)1128172701 035 $a(CaBNVSL)9780755694822 035 $a(EXLCZ)993710000000973127 100 $a20191118d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 04$aThe Europeanness of European cinema $eidentity, meaning, globalization /$fedited by Mary Harrod, Mariana Liz, and Alissa Timoshkina 205 $aFirst edition. 210 1$aLondon, England :$cI.B. Tauris,$d2019. 210 2$a[London, England] :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (210 pages) $cillustrations 225 1 $aInternational library of the moving image ;$v25 311 $a1-78076-929-6 320 $aIncludes bibliographical references (pages 241-257) and index. 327 $aList of Illustrations, Table and Graph vii -- Acknowledgements ix -- Contributors xi -- The Europeanness of European Cinema: An Overview 1 / Mary Harrod, Mariana Liz and Alissa Timoshkina -- Section 1 Defining Europe and Its Cinema -- 1 European Cinema into the Twenty-First Century: Enlarging the Context? 17 / Thomas Elsaesser -- 2 Popular European Cinema in the 2000s: Cinephilia, Genre and Heritage 33 / Tim Bergfelder -- 3 Changing the Image of Europe? The Role of European Co-Productions, Funds and Film Awards 59 / Anne Ja?ckel -- 4 From European Co-Productions to the Euro-Pudding 73 / Mariana Liz -- 5 Christianity and European Film 87 / Catherine Wheatley -- 6 The Feather Collectors: Erased Identity and Invisible Representations of the Roma in Yugoslav Cinema 101 / Greg De Cuir Jr. -- Section 2 Transnational Europe: Genre, Stardom and Language -- 7 The Trouble with Stars: Vernacular versus Global Stardom in Two Forms of European Popular Culture 117 / Olof Hedling -- 8 Juliette Binoche: The Perfect European Star 131 / Ginette Vincendeau -- 9 Franglais, Anglais and Contemporary French Comedy 145 / Mary Harrod -- 10 Laughing in Tongues: Polyglot Comedy in Europe 159 / Alison Smith -- 11 The Use of English in European Feature Films: Unity in Diversity? 173 / Lae?titia Kulyk -- Section 3 Circulating Europeanness -- 12 Paris je t'aime (plus): Europhobia as Europeanness in Luc Besson and Pierre Morel's Dystopia Trilogy 185 / Neil Archer -- 13 Hollywood and Europe: Remaking The Girl with the Dragon Tattoo 199 / Lucy Mazdon -- 14 Spanish Heritage Cinema 213 / Sally Faulkner -- 15 From Russia to Europe and Back: East Meets West in the Films of Pavel Lungin 227 / Alissa Timoshkina -- Bibliography 241 -- Index 259. 330 8 $aThis title identifies the distinctive character of European cinema, both in films and as a critical concept. Including in-depth analyses of production and reception contexts as well as original readings of key European films from leading experts in the field, it re-negotiates traditional categories such as auteurism, art cinema and national cinemas. 410 0$aInternational library of the moving image ;$v25. 606 $aMotion pictures$zEurope$xHistory 606 $aFilm theory & criticism$2bicssc 615 0$aMotion pictures$xHistory. 615 7$aFilm theory & criticism 676 $a791.43094 702 $aHarrod$b Mary 702 $aLiz$b Mariana 702 $aTimoshkina$b Alissa 801 0$bUKMGB 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910155109503321 996 $aThe Europeanness of European cinema$92197328 997 $aUNINA