LEADER 04438nam 2200661 450 001 9910155109403321 005 20191118111955.0 010 $a0-7556-0344-3 010 $a1-00-310360-X 010 $a1-000-21170-3 010 $a1-003-10360-X 010 $a1-78673-965-8 010 $a0-85773-616-7 024 7 $a10.5040/9780755603442 035 $a(CKB)3710000000973128 035 $a(MiAaPQ)EBC4769238 035 $a(OCoLC)1128159745 035 $a(CaBNVSL)mat55603442 035 $a(CaBNVSL)9780755603442 035 $a(EXLCZ)993710000000973128 100 $a20191118d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aLight and photomedia $ea new history and future of the photographic image /$fJai McKenzie 205 $aFirst edition. 210 1$aLondon, England :$cI.B. Tauris,$d2019. 210 2$a[London, England] :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (126 pages) 225 1 $aInternational library of visual culture ;$v8 311 $a1-78076-277-1 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note: 1. Early image machines: The invention of photography c.1830-c.1870 -- Luminous beginnings -- Light source: the origin of the image machines -- A sociological perspective -- Light-space-time -- Image-space -- Seeing machines -- Ever brighter: moving on from the glow of the early image machines -- 2. Analogue image machines c.1870-c.1990 -- Super vision: the analogue era -- Standing still: the instantaneous capture of light-time -- Moving quickly: Photofuturism and light-time -- Cinematic light-time -- Still and moving light-time -- Light-space in the analogue era -- You press the button: forming image-spaces everywhere -- At the movies: image-spaces in cinema -- Proofs of reality -- Photomontage -- Video art -- Leap into the void -- 3. Digital image machines c.1990-2013 -- Dream machines: technology at the speed of light -- Image-spaces of the digital era: `all that we see or seem' -- Light up: the screen space of digital photomedia. 327 $aContents note continued: At the speed of light -- Slow motion: light-time in the digital era -- Void space: digital photomedia and the loss of physical reality -- The digital image-space: a matter of light-space-time -- 4. Future image machines 2039: two hundred years after the invention of photography -- The future? -- The photomedia technology of tomorrow -- The artist of 2039 -- Connected to nothing -- In the `photographic universe' -- At the speed of light -- The future is here. 330 $aLight and Photomedia proposes that, regardless of technological change, the history and future of photomedia are essentially connected to light: it is a fundamental property of photomedia, binding with space and time to form and inform new, explicitly light-based structures and experiences. Jai McKenzie identifies light-space-time structures throughout the history of photomedia, from the early image machines through analogue and digital image machines to the present day. She proposes that they will continue to develop in the future, and takes us to future image machines of the year 2039. With the use of the theories of Paul Virilio, Jean Baudrillard and Vile?m Flusser, featuring artists including Henri Cartier-Bresson, Nam June Paik, Yves Klein, Eadweard Muybridge, Martha Rosler, Cindy Sherman and Michael Snow, as well as photographic images, Light and Photomedia places the reader in a new history and future which, although mostly overlooked by the canon of photomedia theory, is an essential line of enquiry for contemporary thinking and dialogue in photography. 410 0$aInternational library of visual culture ;$v8. 517 3 $aLight and photomedia 606 $aImages, Photographic 606 $aPhotography 606 $aLight 606 $aPhotography & photographs$2bicssc 615 0$aImages, Photographic. 615 0$aPhotography. 615 0$aLight. 615 7$aPhotography & photographs 676 $a770.1 686 $a21.42$2bcl 686 $a9,11$2ssgn 700 $aMcKenzie$b Jai$01367874 801 0$bCDX 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910155109403321 996 $aLight and photomedia$93391937 997 $aUNINA