LEADER 03380oam 2200493I 450 001 9910155001103321 005 20260202130333.0 010 $a1-351-95383-4 010 $a1-315-26103-0 024 7 $a10.4324/9781315261034 035 $a(CKB)3710000000965255 035 $a(MiAaPQ)EBC4758560 035 $a(OCoLC)973143500 035 $a(BIP)63376514 035 $a(BIP)42479241 035 $a(EXLCZ)993710000000965255 100 $a20180706e20162014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aByzantine images and their afterlives $eessays in honor of Annemarie Weyl Carr /$fedited by Lynn Jones 205 $a1st ed. 210 1$aLondon ;$aNew York :$cRoutledge,$d2016. 215 $a1 online resource (305 pages) $cillustrations 300 $a"First published 2014 by Ashgate Publisher"--t.p. verso. 311 08$a1-4094-4291-8 311 08$a1-351-95384-2 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $apt. 1. Manuscripts : workshops, subgroups, and influences -- pt. 2. Intent and reception -- pt. 3. Cypriot influences -- pt. 4. The nature of copies. 330 $aThe twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr's interests and the equally wide impact of her work. The concepts linking the essays include the examination of form and meaning, the relationship between original and copy, and reception and cultural identity in medieval art and architecture. Carr's work focuses on the object but considers the audience, looks at the copy for retention or rejection of the original form and meaning, and always seeks to understand the relationship between intent and perception. She examines the elusive nature of 'center' and 'periphery', expanding and enriching the discourse of manuscript production, icons and their copies, and the dissemination of style and meaning. Her body of work is impressive in its chronological scope and geographical extent, as is her ability to tie together aspects of patronage, production and influence across the medieval Mediterranean. The volume opens with an overview of Carr's career at Southern Methodist University, by Bonnie Wheeler. Kathleen Maxwell, Justine Andrews and Pamela Patton contribute chapters in which they examine workshops, subgroups and influences in manuscript production and reception. Diliana Angelova, Lynn Jones and Ida Sinkevic offer explorations of intent and reception, focusing on imperial patronage, relics and reliquaries. Cypriot studies are represented by Michele Bacci and Maria Vassilaki, who examine aspects of form and style in architecture and icons. The final chapters, by Jaroslav Folda, Anthony Cutler, Rossitza Schroeder and Ann Driscoll, are linked by their focus on the nature of copies, and tease out the ways in which meaning is retained or altered, and the role that is played by intent and reception. 606 $aArt, Byzantine 615 0$aArt, Byzantine. 676 $a709.495 701 $aCarr$b Annemarie Weyl$0880986 701 $aJones$b Lynn$f1958-$0880987 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910155001103321 996 $aByzantine images and their afterlives$91967735 997 $aUNINA