LEADER 06215oam 2201117I 450 001 9910154980403321 005 20250529045928.0 010 $a1-351-95707-4 010 $a1-138-24773-1 010 $a1-315-26211-8 024 7 $a10.4324/9781315262116 035 $a(CKB)3710000000965907 035 $a(MiAaPQ)EBC4758391 035 $a(OCoLC)965543526 035 $a(BIP)63379572 035 $a(BIP)41453222 035 $a(EXLCZ)993710000000965907 100 $a20180706e20162014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aArt in the time of colony /$fKhadija von Zinnenburg Carroll 205 $a1st ed. 210 1$aLondon ;$aNew York :$cRoutledge,$d2016. 215 $a1 online resource (336 pages) $cillustrations (some color), maps 225 1 $aEmpires and the Making of the Modern World, 1650-2000 300 $a"First published 2014 by Ashgate Publishing"--t.p. verso. 311 08$a1-4094-5596-3 311 08$a1-351-95708-2 320 $aIncludes bibliographical references and index. 327 $a1. Mimesis of tradition -- 2. The picture proclamation -- 3. The encyclopaedia Terra Cognita -- 4. Anachronistic mapping -- 5. Telling race in silhouette. 330 $aIt is often assumed that the verbal and visual languages of Indigenous people had little influence upon the classification of scientific, legal, and artistic objects in the metropolises and museums of nineteenth-century colonial powers. However colonized locals did more than merely collect material for interested colonizers. In developing the concept of anachronism for the analysis of colonial material this book writes the complex biographies for five key objects that exemplify, embody, and refract the tensions of nineteenth-century history. Through an analysis of particular language notations and drawings hidden in colonial documents and a reexamination of cross-cultural communication, the book writes biographies for five objects that exemplify the tensions of nineteenth-century history. The author also draws on fieldwork done in communities today, such as the group of Koorie women whose re-enactments of tradition illustrate the first chapter's potted history of indigenous mediums and debates. The second case study explores British colonial history through the biography of the proclamation boards produced under George Arthur (1784-1854), Governor of British Honduras, Tasmania, British Columbia, and India. The third case study looks at the maps of the German explorer of indigenous taxonomy Wilhelm von Blandowski (1822-1878), and the fourth looks at a multi-authored encyclopaedia in which Blandowski had taken into account indigenous knowledge such as that in the work of Kwat-Kwat artist Yakaduna, whose hundreds of drawings (1862-1901) are the material basis for the fifth and final case study. Through these three characters' histories Art in the Time of Colony demonstrates the political importance of material culture by using objects to revisit the much-contested nineteenth-century colonial period, in which the colonial nations as a cultural and legal-political system were brought into being. 410 0$aEmpires and the making of the modern world, 1650-2000. 606 $aArt, Aboriginal Australian 606 $aIndigenous art$zAustralia 606 $aAboriginal Australians$xColonization 606 $aIndigenous peoples$zAustralia$xColonization 606 $aArtists, Aboriginal Australian$xAttitudes 606 $aPhilosophy, Aboriginal Australian 606 $aPostcolonialism and the arts 606 $aSettlement and contacts - Colonisation$2aiatsiss 606 $aHistory - Frontier conflict - Tasmania - Black War$2aiatsiss 606 $aCostume and clothing - Cloaks and coats - Possum$2aiatsiss 606 $aFishing$2aiatsiss 606 $aArt - Artists$2aiatsiss 606 $aArt - Painting$2aiatsiss 606 $aArt - Drawing$2aiatsiss 606 $aArt - Objects and installations$2aiatsiss 606 $aArt - Photography$2aiatsiss 606 $aArt - Sculpture - Tree carving$2aiatsiss 606 $aArt - Theory and criticism$2aiatsiss 606 $aRace relations - Representation - Art$2aiatsiss 606 $aDeath - Mortuary customs$2aiatsiss 606 $aCulture - Theory and criticism - Postcolonial$2aiatsiss 606 $aArt - Production - Materials / techniques - Ochre$2aiatsiss 606 $aArt - Sand and ground design$2aiatsiss 606 $aDance - Ceremonial$2aiatsiss 607 $aWahgunyah / Lake Moodemere (E Vic SJ55-03)$2aiatsisp 607 $aNaarm / Melbourne (Vic SJ55-05)$2aiatsisp 607 $aVictoria (Vic)$2aiatsisp 607 $aTasmania (Tas)$2aiatsisp 615 0$aArt, Aboriginal Australian. 615 0$aIndigenous art 615 0$aAboriginal Australians$xColonization. 615 0$aIndigenous peoples$xColonization. 615 0$aArtists, Aboriginal Australian$xAttitudes. 615 0$aPhilosophy, Aboriginal Australian. 615 0$aPostcolonialism and the arts. 615 7$aSettlement and contacts - Colonisation. 615 7$aHistory - Frontier conflict - Tasmania - Black War. 615 7$aCostume and clothing - Cloaks and coats - Possum. 615 7$aFishing. 615 7$aArt - Artists. 615 7$aArt - Painting. 615 7$aArt - Drawing. 615 7$aArt - Objects and installations. 615 7$aArt - Photography. 615 7$aArt - Sculpture - Tree carving. 615 7$aArt - Theory and criticism. 615 7$aRace relations - Representation - Art. 615 7$aDeath - Mortuary customs. 615 7$aCulture - Theory and criticism - Postcolonial. 615 7$aArt - Production - Materials / techniques - Ochre. 615 7$aArt - Sand and ground design. 615 7$aDance - Ceremonial. 676 $a704.03/9915009034 700 $aCarroll$b Khadija von Zinnenburg$f1980-$0933904 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910154980403321 996 $aArt in the time of colony$92102587 997 $aUNINA