LEADER 03212oam 2200517I 450 001 9910154978903321 005 20240505162102.0 010 $a1-351-92893-7 010 $a1-315-25273-2 024 7 $a10.4324/9781315252735 035 $a(CKB)3710000000965964 035 $a(MiAaPQ)EBC4758484 035 $a(OCoLC)965542376 035 $a(BIP)63371853 035 $a(BIP)44216879 035 $a(EXLCZ)993710000000965964 100 $a20180706e20162014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aIllustrated religious texts in the north of Europe, 1500-1800 /$fedited by Feike Dietz. [et al.] 205 $a1st ed. 210 1$aLondon :$cRoutledge,$d2016. 215 $a1 online resource (301 pages) $cillustrations 300 $a"An Ashgate Book"--Cover. 300 $aFirst published 2014 by Ashgate Publishing. 311 08$a1-4094-6751-1 311 08$a1-351-92894-5 327 $apt. I. Crosscurrents in ideologies and motives -- pt. II. Forms of exchange and mobility. 330 $aIn recent years many historians have argued that the Reformation did not - as previously thought - hamper the development of Northern European visual culture, but rather gave new impetus to the production, diffusion and reception of visual materials in both Catholic and Protestant milieus. This book investigates the crosscurrents of exchange in the realm of illustrated religious literature within and beyond confessional and national borders, and against the background of recent insights into the importance of, on the one hand material, as well as on the other hand, sensual and emotional aspects of early modern culture. Each chapter in the volume helps illuminate early modern religious culture from the perspective of the production of illustrated religious texts - to see the book as object, a point at which various vectors of early modern society met. Case studies, together with theoretical contributions, shed light on the ways in which illustrated religious books functioned in evolving societies, by analysing the use, re-use and sharing of illustrated religious texts in England, France, the Low Countries, the German States, and Switzerland. Interpretations based on points of material interaction show us how the most basic binaries of the early modern world - Catholic and Protestant, word and image, public and private - were disrupted and negotiated in the realm of the illustrated religious book. Through this approach, the volume expands the historical appreciation of the place of imagery in post-Reformation Europe. 606 $aChristian literature$xHistory and criticism 606 $aIllustrated books$zEurope, Northern$xHistory 607 $aEurope, Northern$xChurch history 615 0$aChristian literature$xHistory and criticism. 615 0$aIllustrated books$xHistory. 676 $a096.1 701 $aDietz$b Feike$f1984-$0847452 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910154978903321 996 $aIllustrated religious texts in the north of Europe, 1500-1800$91935049 997 $aUNINA