LEADER 03698nam 2200721Ia 450 001 9910154968103321 005 20200520144314.0 010 $a1-55458-701-8 010 $a0-88920-780-1 024 7 $a10.51644/9780889207806 035 $a(CKB)2430000000002574 035 $a(EBL)685665 035 $a(OCoLC)243586495 035 $a(SSID)ssj0000382738 035 $a(PQKBManifestationID)12127214 035 $a(PQKBTitleCode)TC0000382738 035 $a(PQKBWorkID)10396677 035 $a(PQKB)10097239 035 $a(MiAaPQ)EBC685665 035 $a(CaPaEBR)402547 035 $a(CaBNvSL)rjv00101407 035 $a(MiAaPQ)EBC3246338 035 $a(OCoLC)1016808129 035 $a(MdBmJHUP)muse58177 035 $a(PPN)236681885 035 $a(DE-B1597)667752 035 $a(DE-B1597)9780889207806 035 $a(FR-PaCSA)88868775 035 $a(VaAlCD)20.500.12592/89qwfw 035 $a(schport)gibson_crkn/2009-12-01/2/402547 035 $a(EXLCZ)992430000000002574 100 $a19900111d1989 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe postwar novel in Canada $enarrative patterns and reader response /$fRosmarin Heidenreich ; foreword by Linda Hutcheon 205 $a1st ed. 210 $aWaterloo, Ont., Canada $cW. Laurier University Press$dc1989 215 $a1 online resource (216 p.) 225 1 $aBibliotheque de la Revue canadienne de litterature comparee ;$vvol. 8 =$aLibrary of the Canadian review of comparative literature ;$vvol. 8 300 $aIncludes index. 311 $a1-55458-486-8 311 $a0-88920-980-4 320 $aIncludes bibliographical references. 327 $aContents; Acknowledgments; Foreword; Introduction; Part I: Perspectival Structures and Norm Repertoires; Part II: Aspects of Indeterminacy; Part III: Patterns of Allusion; Afterword; Selected Bibliography; Index 330 $aAs a comparative study which includes the analysis of both English-Canadian and Quebec novels, this book provides an overview of the novel as it has developed in this country since the Second World War. Focusing on narratological rather than thematic elements, the book represents a systematic application of the insights and analytical tools of reader-reception theory, in particular the models proposed by Wolfgang Iser and Hans Robert Jauss. Placing the emphasis on the text and its effects rather than on the historical or psycho-sociological genesis of the text, the author invokes the models and paradigms of other literatures to establish a broader cultural context permitting the significance of a literature to emerge as a carrier of meaning in and beyond the culture that produces it. Tracing a critical path from Hugh MacLennan's hierarchic romance structures and Gabrielle Roy's social realism to the metafictions of Hubert Aquin and Timothy Findley, the author reveals that the novel's narratological features themselves are often closely linked with ideological positions. 410 0$aLibrary of the Canadian review of comparative literature ;$vv. 8. 606 $aCanadian fiction$y20th century$xHistory and criticism 606 $aFrench-Canadian fiction$y20th century$xHistory and criticism 615 0$aCanadian fiction$xHistory and criticism. 615 0$aFrench-Canadian fiction$xHistory and criticism. 676 $a810.99287 676 $a813.09 700 $aHeidenreich$b Rosmarin Elfriede$f1943-$01213104 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910154968103321 996 $aThe postwar novel in Canada$92801450 997 $aUNINA