LEADER 03720oam 22007574a 450 001 9910154964403321 005 20201016234928.0 010 $a9781771120029 010 $a1771120029 010 $a9781771120036 010 $a1771120037 024 7 $a10.51644/9781771120036 035 $a(CKB)2670000000582584 035 $a(CaPaEBR)ebrary10956569 035 $a(SSID)ssj0001409748 035 $a(PQKBManifestationID)11868380 035 $a(PQKBTitleCode)TC0001409748 035 $a(PQKBWorkID)11373541 035 $a(PQKB)11025614 035 $a(CEL)448785 035 $a(OCoLC)895193297 035 $a(CaBNVSL)slc00235175 035 $a(MiAaPQ)EBC3295350 035 $a(OCoLC)879940796 035 $a(MdBmJHUP)muse33540 035 $a(DE-B1597)667380 035 $a(DE-B1597)9781771120036 035 $a(Perlego)1706803 035 $a(EXLCZ)992670000000582584 100 $a20140512d2014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aMoving Environments $eAffect, Emotion, Ecology, and Film /$fedited by Alexa Weik von Mossner 210 1$aWaterloo, Ontario :$cWilfrid Laurier University Press,$d[2014] 210 2$aBeaconsfield, Quebec :$cCanadian Electronic Library,$d2014. 215 $a1 online resource (299 p.) 225 1 $aEnvironmental humanities series 311 08$a9781322403663 311 08$a132240366X 311 08$a9781771120043 311 08$a1771120045 320 $aIncludes bibliographical references and index. 327 $aGeneral and theoretical considerations -- Anthropomorphism and the non-human in documentary film -- The effects and affects of animation -- The affect of place and time. 330 $aIn Moving Environments: Affect, Emotion, Ecology, and Film, international scholars investigate how films portray human emotional relationships with the more-than-human world and how such films act upon their viewers' emotions. Emotion and affect are the basic mechanisms that connect us to our environment, shape our knowledge, and motivate our actions. Contributors explore how film represents and shapes human emotion in relation to different environments and what role time, place, and genre play in these affective processes. Individual essays resituate well-researched environmental films such as An Inconvenient Truth and March of the Penguins by paying close attention to their emotionalizing strategies, and bring to our attention the affective qualities of films that have so far received little attention from ecocritics, such as Stan Brakhage's Dog Star Man. The collection opens a new discursive space at the disciplinary intersection of film studies, affect studies, and a growing body of ecocritical scholarship. It will be of interest not only to scholars and students working in the field of ecocriticism and the environmental humanities, but for everyone with an interest in our emotional responses to film. --Provided by publisher. 410 0$aEnvironmental humanities series. 606 $aEcocriticism 606 $aHuman ecology in motion pictures 606 $aMotion pictures$xSocial aspects 606 $aMotion pictures$xPsychological aspects 608 $aElectronic books. 615 0$aEcocriticism. 615 0$aHuman ecology in motion pictures. 615 0$aMotion pictures$xSocial aspects. 615 0$aMotion pictures$xPsychological aspects. 676 $a791.43/66 686 $aEC 1879$2rvk 702 $aWeik von Mossner$b Alexa 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910154964403321 996 $aMoving Environments$92174844 997 $aUNINA