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035   $a(CaBNVSL)9781350988620
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100   $a20191015e20192016  uy             0
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181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 14$aThe Euro-Western $ereframing gender, race and the 'other' in film /$fLee Broughton
205   $aFirst edition.
210  1$aLondon, England :$cI.B. Tauris & Co. Ltd,$d2016.
210  2$aLondon, England :$cBloomsbury Publishing,$d2019.
215   $a1 online resource (274 pages)
225 1 $aCinema and Society
300   $aFocuses on previously unstudied Italian, German and British films.
311   $a1-350-21792-1 
311   $a1-78453-389-0 
320   $aIncludes bibliographical references (pages 240-251), filmography (page 239) and index.
327   $aPart 1. Indians in Europe : Indianthusiasm and the Representation of American Indians in West German Westerns. Chapter 1. West German Westerns: International Reception and Local Influences ; Chapter 2. The Representation of Indians in American Westerns ; Chapter 3. The Representation of Indians in West German Westerns -- Part 2. Emancipation all'Italiana : The Representation of African Americans in Italian Westerns. Chapter 4. Italian Westerns: International Reception and Local Influences ; Chapter 5. The Representation of Blacks in American Westerns ; Chapter 6. The Representation of Blacks in Italian Westerns -- Part 3. Funny Men and Strong Women : The Representation of Frontier Femmes in British Westerns. Chapter 7. British Westerns: International Reception and Local Influences ; Chapter 8. The Representation of Women in American Westerns ;  Chapter 9. The Representation of Women in the British Western Parodies Produced Between 1939 and 1966 ; Chapter 10. The Representation of Women in British Westerns Produced During the Early 1970s -- Final Thoughts.
330   $a"The Western has always been inextricably linked to the USA, and studies have continually sought to connect its historical development to changes in American society and Hollywood innovations. Focusing new critical attention on films produced in Germany, Italy and Britain, this timely book offers a radical rereading of the evolutionary history of the Western and brings a vital international dimension to its study. Lee Broughton argues not only that European films possess a special significance in terms of the genre's global development, but also that many offered groundbreaking and progressive representations of traditional Wild West 'Others': Native Americans, African Americans and so-called 'strong women'. European Westerns investigates how the histories of Germany, Italy and Britain - and the idiosyncrasies of their respective national film industries - influenced representations of the self and 'Other', shedding light on the broader cultural, historical and political contexts that shaped European engagement with the genre."--Publisher's website.
410  0$aCinema and society.
606   $aBlack people in motion pictures
606   $aGender identity in motion pictures
606   $aRace in motion pictures
606   $aWestern films$zEurope
606   $aWomen in motion pictures
606   $2Films, cinema
608   $aElectronic books.
615  0$aBlack people in motion pictures.
615  0$aGender identity in motion pictures.
615  0$aRace in motion pictures.
615  0$aWestern films
615  0$aWomen in motion pictures.
676   $a791.43/6278
700   $aBroughton$b Lee$f1966-$01065832
712 02$aBloomsbury (Firm),
801  0$bYDXCP
801  1$bCaBNVSL
801  2$bCaBNVSL
906   $aBOOK
912   $a9910154875703321
996   $aThe Euro-Western$92548061
997   $aUNINA