LEADER 02952oam 2200565I 450 001 9910154873203321 005 20240505155833.0 010 $a1-315-69608-8 010 $a1-317-44489-2 024 7 $a10.4324/9781315696089 035 $a(CKB)4340000000019255 035 $a(MiAaPQ)EBC4756141 035 $a(OCoLC)967392993 035 $a(EXLCZ)994340000000019255 100 $a20180706d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAesthetic disinterestedness $eart, experience, and the self /$fby Thomas Hilgers 205 $a1st ed. 210 1$aNew York :$cRoutledge,$d2017. 215 $a1 online resource (201 pages) 225 1 $aRoutledge Studies in Contemporary Philosophy ;$v88 311 $a1-138-90500-3 320 $aIncludes bibliographical references and index. 327 $a1. Introducing disinterestedness -- 2. Defending disinterestedness -- 3. Explicating disinterestedness -- 4. Generating disinterestedness. 330 $aThe notion of disinterestedness is often conceived of as antiquated or ideological. In spite of this, Hilgers argues that one cannot reject it if one wishes to understand the nature of art. He claims that an artwork typically asks a person to adopt a disinterested attitude towards what it shows, and that the effect of such an adoption is that it makes the person temporarily lose the sense of herself, while enabling her to gain a sense of the other. Due to an artwork?s particular wealth, multiperspectivity, and dialecticity, the engagement with it cannot culminate in the construction of world-views, but must initiate a process of self-critical thinking, which is a precondition of real self-determination. Ultimately, then, the aesthetic experience of art consists of a dynamic process of losing the sense of oneself, while gaining a sense of the other, and of achieving selfhood. In his book, Hilgers spells out the nature of this process by means of rethinking Kant?s and Schopenhauer?s aesthetic theories in light of more recent developments in philosophy?specifically in hermeneutics, critical theory, and analytic philosophy?and within the arts themselves - specifically within film and performance art. 410 0$aRoutledge studies in contemporary philosophy ;$v88. 606 $aAesthetics 606 $aExperience 606 $aArt criticism 606 $aObjectivity 606 $aSelf (Philosophy) 615 0$aAesthetics. 615 0$aExperience. 615 0$aArt criticism. 615 0$aObjectivity. 615 0$aSelf (Philosophy) 676 $a111/.85 676 $a111.85 700 $aHilgers$b Thomas W.$f1943-,$0959084 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910154873203321 996 $aAesthetic disinterestedness$92172863 997 $aUNINA